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Original scientific paper

MORISCO, MORESCA, MOREŠKA: AGONISTIC MIMICRY AND ITS INTERCULTURAL ECHOES

Lada Čale Feldman

Fulltext: croatian, pdf (2 MB) pages 61-80 downloads: 697* cite
APA 6th Edition
Čale Feldman, L. (2003). MORISCO, MORESCA, MOREŠKA: AGONALNI MIMETIZAM I NJEGOVE INTERKULTURNE JEKE. Narodna umjetnost, 40 (2), 61-80. Retrieved from https://hrcak.srce.hr/27793
MLA 8th Edition
Čale Feldman, Lada. "MORISCO, MORESCA, MOREŠKA: AGONALNI MIMETIZAM I NJEGOVE INTERKULTURNE JEKE." Narodna umjetnost, vol. 40, no. 2, 2003, pp. 61-80. https://hrcak.srce.hr/27793. Accessed 21 Oct. 2021.
Chicago 17th Edition
Čale Feldman, Lada. "MORISCO, MORESCA, MOREŠKA: AGONALNI MIMETIZAM I NJEGOVE INTERKULTURNE JEKE." Narodna umjetnost 40, no. 2 (2003): 61-80. https://hrcak.srce.hr/27793
Harvard
Čale Feldman, L. (2003). 'MORISCO, MORESCA, MOREŠKA: AGONALNI MIMETIZAM I NJEGOVE INTERKULTURNE JEKE', Narodna umjetnost, 40(2), pp. 61-80. Available at: https://hrcak.srce.hr/27793 (Accessed 21 October 2021)
Vancouver
Čale Feldman L. MORISCO, MORESCA, MOREŠKA: AGONALNI MIMETIZAM I NJEGOVE INTERKULTURNE JEKE. Narodna umjetnost [Internet]. 2003 [cited 2021 October 21];40(2):61-80. Available from: https://hrcak.srce.hr/27793
IEEE
L. Čale Feldman, "MORISCO, MORESCA, MOREŠKA: AGONALNI MIMETIZAM I NJEGOVE INTERKULTURNE JEKE", Narodna umjetnost, vol.40, no. 2, pp. 61-80, 2003. [Online]. Available: https://hrcak.srce.hr/27793. [Accessed: 21 October 2021]

Abstracts
The narrative of the battle between Moors and Christians is still alive in modern Spain, giving rise to numerous and diverse ritualized practices, from street performances to danced mock-battles. Following Max Harris's interpretation of its possible "hidden transcript", this article focuses on one of its numerous echoes, the dramatized dance performed on the island of Korčula. The aim of the article, however, is not to trace the origin of the Croatian dance and the foundation of this lasting Spanish "influence", but to analyse the triangular dramaturgical core of the intercultural conflict whose fictional elaborations earned it the status of a fascinating mirror of intercultural recognition, producing multiple mimetic effects. The analysis refers also to Rene Girard's theory of agonal mimetism, its further elaborations in the work by Eric Gans, and the gender-sensitive critique by Eve Kossovsky Sedgwick, since the figure most often completely absent from the interpretations of the theme is a female character in whose name or in whose favor the battle is taking place.

Keywords
moreška; intercultural antagonism; agonistic mimicry

Hrčak ID: 27793

URI
https://hrcak.srce.hr/27793

[croatian]

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