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MY LITTLE GLOBAL VILLAGE (SELO MOJE MALO): CONTEMPORARY TAMBURA MUSIC-MAKING IN THE UNITED STATES

Richard March ; Wisconsin Arts Board, Madison, USA

Puni tekst: hrvatski, pdf (1 MB) str. 169-179 preuzimanja: 652* citiraj
APA 6th Edition
March, R. (2003). GLOBALNO SELO MOJE MALO: SUVREMENO TAMBURAŠKO GLAZBOVANJE U SJEDINJENIM AMERIČKIM DRŽAVAMA. Narodna umjetnost, 40 (2), 169-179. Preuzeto s https://hrcak.srce.hr/27799
MLA 8th Edition
March, Richard. "GLOBALNO SELO MOJE MALO: SUVREMENO TAMBURAŠKO GLAZBOVANJE U SJEDINJENIM AMERIČKIM DRŽAVAMA." Narodna umjetnost, vol. 40, br. 2, 2003, str. 169-179. https://hrcak.srce.hr/27799. Citirano 20.09.2021.
Chicago 17th Edition
March, Richard. "GLOBALNO SELO MOJE MALO: SUVREMENO TAMBURAŠKO GLAZBOVANJE U SJEDINJENIM AMERIČKIM DRŽAVAMA." Narodna umjetnost 40, br. 2 (2003): 169-179. https://hrcak.srce.hr/27799
Harvard
March, R. (2003). 'GLOBALNO SELO MOJE MALO: SUVREMENO TAMBURAŠKO GLAZBOVANJE U SJEDINJENIM AMERIČKIM DRŽAVAMA', Narodna umjetnost, 40(2), str. 169-179. Preuzeto s: https://hrcak.srce.hr/27799 (Datum pristupa: 20.09.2021.)
Vancouver
March R. GLOBALNO SELO MOJE MALO: SUVREMENO TAMBURAŠKO GLAZBOVANJE U SJEDINJENIM AMERIČKIM DRŽAVAMA. Narodna umjetnost [Internet]. 2003 [pristupljeno 20.09.2021.];40(2):169-179. Dostupno na: https://hrcak.srce.hr/27799
IEEE
R. March, "GLOBALNO SELO MOJE MALO: SUVREMENO TAMBURAŠKO GLAZBOVANJE U SJEDINJENIM AMERIČKIM DRŽAVAMA", Narodna umjetnost, vol.40, br. 2, str. 169-179, 2003. [Online]. Dostupno na: https://hrcak.srce.hr/27799. [Citirano: 20.09.2021.]

Sažetak
The author discusses the recent technological and political changes that have influenced the tradition of tamburitza music-making in the United States. Citing concrete examples, he discusses the stylistic unification that has resulted through diminished isolation of the North American tamburitza tradition from the music's original homelands in Croatia and Vojvodina and between geographically separated American communities. He mentions improved communications owing to the availability of internet websites, message boards, music available to download or listen to on-line, also of mobile telephones, satellite television and cheaper airline travel. In addition, he discusses the indirect influences on the tamburitza scene in the Croatian- and Serbian-American communities in North America arising from the downfall of Communist governments in Europe, the establishment of an independent Croatian state and the Homeland War. He provides biographical information on and discusses the musical contributions of a few key figures in the contemporary North American tamburitza scene such as Jerry Grcevich, Vjeko Dimter, Joe Kirin and Peter Kosovec.

Ključne riječi
tambura music-making; globalization; United States of America

Hrčak ID: 27799

URI
https://hrcak.srce.hr/27799

[hrvatski]

Posjeta: 1.030 *