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CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS

Peter STANKOVIĆ   ORCID icon orcid.org/0000-0002-2797-4126 ; Faculty of Social Sciences, Ljubljana

Puni tekst: engleski, pdf (196 KB) str. 907-926 preuzimanja: 983* citiraj
APA 6th Edition
STANKOVIĆ, P. (2008). CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS. Društvena istraživanja, 17 (4-5 (96-97)), 907-926. Preuzeto s https://hrcak.srce.hr/29465
MLA 8th Edition
STANKOVIĆ, Peter. "CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS." Društvena istraživanja, vol. 17, br. 4-5 (96-97), 2008, str. 907-926. https://hrcak.srce.hr/29465. Citirano 20.10.2019.
Chicago 17th Edition
STANKOVIĆ, Peter. "CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS." Društvena istraživanja 17, br. 4-5 (96-97) (2008): 907-926. https://hrcak.srce.hr/29465
Harvard
STANKOVIĆ, P. (2008). 'CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS', Društvena istraživanja, 17(4-5 (96-97)), str. 907-926. Preuzeto s: https://hrcak.srce.hr/29465 (Datum pristupa: 20.10.2019.)
Vancouver
STANKOVIĆ P. CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS. Društvena istraživanja [Internet]. 2008 [pristupljeno 20.10.2019.];17(4-5 (96-97)):907-926. Dostupno na: https://hrcak.srce.hr/29465
IEEE
P. STANKOVIĆ, "CONSTRUCTS OF SLOVENIANNESS IN SLOVENIAN PARTISAN FILMS", Društvena istraživanja, vol.17, br. 4-5 (96-97), str. 907-926, 2008. [Online]. Dostupno na: https://hrcak.srce.hr/29465. [Citirano: 20.10.2019.]

Sažetak
The article addresses the question, whether there could be
identified a consistent pattern of representations of
Slovenianness in Slovenian partisan films, the film genre
about communist-led guerrilla fighters (so-called 'partisans'),
and their struggle against the German and Italian occupying
forces during WW II. The analysis of all feature films made in
this genre shows that the official communist discourse on
Slovenian national identity, at least as revealed in the
partisan films, was in Slovenia in many respects not really
along the orthodox Marxist lines of understanding national
identity as an essentially disposable bourgeois ideological
construct, since it actively encouraged it, to a large extent
even in terms of the established, conservative construct of
Slovenianness as something that in its essence is likened to a
simple, rustic life in the midst of unspoiled nature. In the
films made after the late 1960s, however, the pattern
changes and the Slovenian partisan films with their new,
distinctive urban character turn into a medium of
restructuring of national identity.

Ključne riječi
representation; constructivism; national identity; Slovene partisan film; Slovenianness

Hrčak ID: 29465

URI
https://hrcak.srce.hr/29465

[hrvatski] [njemački]

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