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TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ

Svetlana Slapšak ; Institutum Studiorum Humanitatis, Ljubljana

Puni tekst: engleski, pdf (188 KB) str. 81-98 preuzimanja: 580* citiraj
APA 6th Edition
Slapšak, S. (2003). TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ. Narodna umjetnost, 40 (1), 81-98. Preuzeto s https://hrcak.srce.hr/33092
MLA 8th Edition
Slapšak, Svetlana. "TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ." Narodna umjetnost, vol. 40, br. 1, 2003, str. 81-98. https://hrcak.srce.hr/33092. Citirano 24.09.2021.
Chicago 17th Edition
Slapšak, Svetlana. "TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ." Narodna umjetnost 40, br. 1 (2003): 81-98. https://hrcak.srce.hr/33092
Harvard
Slapšak, S. (2003). 'TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ', Narodna umjetnost, 40(1), str. 81-98. Preuzeto s: https://hrcak.srce.hr/33092 (Datum pristupa: 24.09.2021.)
Vancouver
Slapšak S. TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ. Narodna umjetnost [Internet]. 2003 [pristupljeno 24.09.2021.];40(1):81-98. Dostupno na: https://hrcak.srce.hr/33092
IEEE
S. Slapšak, "TWO EXAMPLES OF GENDER-CONSTRUCT IN BALKAN LITERATURE: KOSTAS TACHTSIS, DRAGOSLAV MIHAJLOVIĆ", Narodna umjetnost, vol.40, br. 1, str. 81-98, 2003. [Online]. Dostupno na: https://hrcak.srce.hr/33092. [Citirano: 24.09.2021.]

Sažetak
Two male authors, in two different contexts, imagined their female
protagonists: Kostas Tachtsis, a prolific Greek author and himself a
homosexual, wrote a novel on a woman's endurance in the
challenging and dangerous Greek political urban context over a
period of some 50 years, under the title Third Wreath ("The Third
Wedding Wreath", 1962); Serbian author Dragoslav Mihajlović, a
former pro-soviet sympathizer and political prisoner on Goli Otok,
at the half-way point to his present-day nationalism, wrote the
novel Petria's Wreath (1975), in which a rural female protagonist is
a suffering icon – beaten, ill, poor, abandoned, widowed, a metaphor
for collective, people's suffering. In both cases, a feminine persona
is supposed to deconstruct, construct, or destabilize the
ruling/serving female prototype. In both inventions a shadow-male
is inscribed into the proposed female model. In both cases, the
female protagonist serves as a screen for criticism of the
correspondent local male-dominant model. Both authors voice a
kind of (male) de-centered gender position, or, put more simply, an
endangered sexuality: a sexually instable voyeur, a homosexual, a
traumatized/tortured former prisoner. Women's criticism of Balkan
men's attitudes does not correspond fully with this: in women's
writing men are usually accused of selfishness, inclination to war
and violence, and power-struggle. The quest for a similar de-centered
gender presentation could revive the debate on gender of the author,
somehow lost in the late 70s.

Ključne riječi
Balkan 20th century literatures; gender; nation

Hrčak ID: 33092

URI
https://hrcak.srce.hr/33092

[hrvatski]

Posjeta: 1.092 *