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"FEMININE ENDINGS": ON THE POETICS OF ENDINGS IN THE "NEW MUSICOLOGY"
Dalibor Davidović
; Muzička akademija, Zagreb, Hrvatska
Sažetak
In this article some aspects of the "New musicology" are discussed, quoting the examples
of the works by musicologist Susan McClary. For this purpose, the "New musicology" is
viewed as a systematic as well as a cultural and historical phenomenon.
Some further aspects of the "New musicology" are also discussed, such as aporias of
the epistemological constructivism, aporias of the anthropocentric determination of
music, the construction of the "traditional" musicology and the resistance towards it,
antiprofessionalism, the critique of the "aesthetic ideology", characteristic features of the
construction of the "history" of music, the understanding of musicological "politics" etc.
The aporias of those aspects and the ways in which the "New musicology" attempts to
solve them are pointed to.
On the other hand, the "New musicology" is viewed as a phenomenon that is created
at a certain point of time in the United States and it is being brought into the connection
with the "New historicism" and some other recent historiographic paradigms. The author
also finds several patterns of the reception of the "New musicology" and considers them to
be paradigmatic (Bruno Nettl, Pieter van de Toorn, Olle Edström, Werner Grünzweig).
To historicise "New musicology" with respect to the phenomenological
discussions on the problem of "history" means to understand the mentioned musicology as
a singular and at the same time repeating phenomenon, different not only from other, but
also from itself.
Ključne riječi
"New musicology"; Susan McClary; musicology; "New historicism"
Hrčak ID:
33252
URI
Datum izdavanja:
3.12.2001.
Posjeta: 1.203 *