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Choral Singing as a Bodily Regime

Liz Garnett ; Birmingham Conservatoire, Postgraduate Studies, Birmingham, U.K

Puni tekst: engleski, pdf (87 KB) str. 249-269 preuzimanja: 700* citiraj
APA 6th Edition
Garnett, L. (2005). Choral Singing as a Bodily Regime. International review of the aesthetics and sociology of music, 36 (2), 249-269. Preuzeto s https://hrcak.srce.hr/43615
MLA 8th Edition
Garnett, Liz. "Choral Singing as a Bodily Regime." International review of the aesthetics and sociology of music, vol. 36, br. 2, 2005, str. 249-269. https://hrcak.srce.hr/43615. Citirano 20.06.2021.
Chicago 17th Edition
Garnett, Liz. "Choral Singing as a Bodily Regime." International review of the aesthetics and sociology of music 36, br. 2 (2005): 249-269. https://hrcak.srce.hr/43615
Harvard
Garnett, L. (2005). 'Choral Singing as a Bodily Regime', International review of the aesthetics and sociology of music, 36(2), str. 249-269. Preuzeto s: https://hrcak.srce.hr/43615 (Datum pristupa: 20.06.2021.)
Vancouver
Garnett L. Choral Singing as a Bodily Regime. International review of the aesthetics and sociology of music [Internet]. 2005 [pristupljeno 20.06.2021.];36(2):249-269. Dostupno na: https://hrcak.srce.hr/43615
IEEE
L. Garnett, "Choral Singing as a Bodily Regime", International review of the aesthetics and sociology of music, vol.36, br. 2, str. 249-269, 2005. [Online]. Dostupno na: https://hrcak.srce.hr/43615. [Citirano: 20.06.2021.]

Sažetak
Singing in a choir is a regime of the body. That is, it is a practice that structures the ways in which people inhabit, use and experience their bodies in clearly defined ways and according to ideological imperatives. At the same time, these imperatives seek to disguise themselves by grounding their dictates in discourses of the natural and of the universal. In this paper, I shall read a range of texts from the choral conducting literature as instruction manuals for the production and regulation of choral singers, and examine the technologies of disciplinary power that An exploration of the practice of choral singing draws on the Foucauldian critical tradition to analyse how singing in a choir structures the ways in which people inhabit, use and experience their bodies. Texts from the choral conducting literature are read as instruction manuals for the production and regulation of choral singers, and the technologies of disciplinary power that constitute and maintain the boundaries of this identity are examined. This reading shows how musical practices can be simultaneously independent from and constructed within the power structures of day-to-day social relations: while the mechanisms that regulate choral behavior index overtly political axes of identity such as class, education level and regionality, they do so with an agenda that is more focused on the transformation than on the exclusion of the individual. The study contributes to the ongoing theoretical discussions of music and social identity within musicology, but it also raises practical questions concerning the social and personal values associated with choral musicmaking.

Ključne riječi
Choral; Singing; Conducting; Discipline; Identity; Surveillance

Hrčak ID: 43615

URI
https://hrcak.srce.hr/43615

[hrvatski]

Posjeta: 1.461 *