APA 6th Edition Bagarić, M. (2006). Povijest gradnje đakovačkoga Sjemeništa. Diacovensia, 14 (2), 707-731. Preuzeto s https://hrcak.srce.hr/47730
MLA 8th Edition Bagarić, Marina. "Povijest gradnje đakovačkoga Sjemeništa." Diacovensia, vol. 14, br. 2, 2006, str. 707-731. https://hrcak.srce.hr/47730. Citirano 26.10.2021.
Chicago 17th Edition Bagarić, Marina. "Povijest gradnje đakovačkoga Sjemeništa." Diacovensia 14, br. 2 (2006): 707-731. https://hrcak.srce.hr/47730
Harvard Bagarić, M. (2006). 'Povijest gradnje đakovačkoga Sjemeništa', Diacovensia, 14(2), str. 707-731. Preuzeto s: https://hrcak.srce.hr/47730 (Datum pristupa: 26.10.2021.)
Vancouver Bagarić M. Povijest gradnje đakovačkoga Sjemeništa. Diacovensia [Internet]. 2006 [pristupljeno 26.10.2021.];14(2):707-731. Dostupno na: https://hrcak.srce.hr/47730
IEEE M. Bagarić, "Povijest gradnje đakovačkoga Sjemeništa", Diacovensia, vol.14, br. 2, str. 707-731, 2006. [Online]. Dostupno na: https://hrcak.srce.hr/47730. [Citirano: 26.10.2021.]
Sažetak The Diocesan Seminary in Đakovo was situated in the Baroque building of the former Franciscan monastery for more than a century. In 1908 the architect Josip Vancaš (born in Sopron, Hungary, in 1859; died in Zagreb in 1932) made the project of the full adaptation of the Seminary. However, in 1911 a decision was made to build a completely new building. The project was developed by Dionis Sunko, architect from Zagreb (Sisak, 1879 – Zagreb 1935). Sunko managed to functionally include different aspects of the seminary life. Certain spatial solutions, primarily the one made for the façade and the interior, showed the architect’s exquisite sensibility for the context. He respected the local folklore tradition and, according to his own words, the vicinity of the Bishop’s Palace
had inspired him to use the elements of Baroque formative style. In the interior design and the details on the façade we can find certain Secession motifs as well as those close to Art Deco suggestive style expression. This audacious combination of the elements of various styles is unique in the Croatian architecture of the first decades of the 20th century.