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KAFANA SINGERS: POPULAR MUSIC, GENDER AND SUBJECTIVITY IN THE CULTURAL SPACE OF SOCIALIST YUGOSLAVIA

Ana Hofman ; Department for Interdisciplinary Research in Humanities, SRC SASA, Ljubljana, Slovenia


Puni tekst: hrvatski pdf 86 Kb

str. 160-161

preuzimanja: 661

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Puni tekst: engleski pdf 221 Kb

str. 141-160

preuzimanja: 1.706

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Sažetak

This article explores the phenomenon of kafana singers in the light of the official socialist discourses on popular music and gender during the late 1950s and 1960s in the former Yugoslavia. It seeks to understand how/did the process of estradization along with the socialist gender policy influence the shift in (self)representation of the female performers in the public realm. By focusing on the dynamic of controversial discourses on folk female singers, the article aims to show how the changes in the official discourse helped their profession to become an important resource of their subject actualizations, implicated in the creation of a new sense of social agency. As controversial musical personas, kafana singers’ personal and professional lives show nuanced interplay between socialist culture policy and its representational strategies.

Ključne riječi

kafana singers; popular music; socialist culture policy; estradization; gender politics

Hrčak ID:

53553

URI

https://hrcak.srce.hr/53553

Datum izdavanja:

15.6.2010.

Podaci na drugim jezicima: hrvatski

Posjeta: 4.099 *