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Izvorni znanstveni članak
ON THE AESTHETICS OF KLAPA SINGING
Jakša Primorac
orcid.org/0000-0002-3576-6263
; HAZU
| Puni tekst: engleski, pdf (90 KB) | str. 50-50 | citiraj | |
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APA 6th Edition Primorac, J. (2010). ON THE AESTHETICS OF KLAPA SINGING. Narodna umjetnost, 47 (2), 50-50. Preuzeto s https://hrcak.srce.hr/61982 MLA 8th Edition Primorac, Jakša. "ON THE AESTHETICS OF KLAPA SINGING." Narodna umjetnost, vol. 47, br. 2, 2010, str. 50-50. https://hrcak.srce.hr/61982. Citirano 10.12.2019. Chicago 17th Edition Primorac, Jakša. "ON THE AESTHETICS OF KLAPA SINGING." Narodna umjetnost 47, br. 2 (2010): 50-50. https://hrcak.srce.hr/61982 Harvard Primorac, J. (2010). 'ON THE AESTHETICS OF KLAPA SINGING', Narodna umjetnost, 47(2), str. 50-50. Preuzeto s: https://hrcak.srce.hr/61982 (Datum pristupa: 10.12.2019.) Vancouver Primorac J. ON THE AESTHETICS OF KLAPA SINGING. Narodna umjetnost [Internet]. 2010 [pristupljeno 10.12.2019.];47(2):50-50. Dostupno na: https://hrcak.srce.hr/61982 IEEE J. Primorac, "ON THE AESTHETICS OF KLAPA SINGING", Narodna umjetnost, vol.47, br. 2, str. 50-50, 2010. [Online]. Dostupno na: https://hrcak.srce.hr/61982. [Citirano: 10.12.2019.] |
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| Puni tekst: hrvatski, pdf (260 KB) | str. 31-50 | citiraj | |
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APA 6th Edition Primorac, J. (2010). O ESTETICI KLAPSKOGA PJEVANJA. Narodna umjetnost, 47 (2), 31-50. Preuzeto s https://hrcak.srce.hr/61982 MLA 8th Edition Primorac, Jakša. "O ESTETICI KLAPSKOGA PJEVANJA." Narodna umjetnost, vol. 47, br. 2, 2010, str. 31-50. https://hrcak.srce.hr/61982. Citirano 10.12.2019. Chicago 17th Edition Primorac, Jakša. "O ESTETICI KLAPSKOGA PJEVANJA." Narodna umjetnost 47, br. 2 (2010): 31-50. https://hrcak.srce.hr/61982 Harvard Primorac, J. (2010). 'O ESTETICI KLAPSKOGA PJEVANJA', Narodna umjetnost, 47(2), str. 31-50. Preuzeto s: https://hrcak.srce.hr/61982 (Datum pristupa: 10.12.2019.) Vancouver Primorac J. O ESTETICI KLAPSKOGA PJEVANJA. Narodna umjetnost [Internet]. 2010 [pristupljeno 10.12.2019.];47(2):31-50. Dostupno na: https://hrcak.srce.hr/61982 IEEE J. Primorac, "O ESTETICI KLAPSKOGA PJEVANJA", Narodna umjetnost, vol.47, br. 2, str. 31-50, 2010. [Online]. Dostupno na: https://hrcak.srce.hr/61982. [Citirano: 10.12.2019.] |
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Sažetak
Participants in klapa singing, particularly the singers, spontaneously discuss their own musical aesthetics on various occasions. Their internal rules, conceptions and evaluations are the subject of this research. The author considers klapa group aesthetics in the processes of learning music and in public and private performances. Today, the musical knowledge in klapa singing is largely transmitted formally through sheet music. The lead singer – the first tenor – is expected to give an exceptionally personal interpretation in public performances, while group co-operation is what is most highly valued in the performance of the other singers. The internal notion and conception of klapa fusion intertwines aesthetics and ethics, unifying the musical content and the social values and ideals. Klapa fusion aspires to creating perfect co-ordination in the performance of homophonic klapa songs, while it is a metaphor for the friendship between the singers at the same time. Since klapa harmony is based on the consonant, largely major, chords of western art music, it enables the creation of ringing chords of rich overtones. Klapa fusion is fully accomplished in private – largely intimate and relaxed – situations in which the singers strive to create overtones. It is most powerfully expressed in quiet klapa (sotto voce) singing. Overtone fusion represents a sound sensation that evokes diverse and intense emotional and spiritual experience among the singers, but also among their listeners. Its sound also interweaves with the notions of antiquity and heritage that dominate the identity discourse of klapa singing.
Ključne riječi
klapa singing; aesthetics; ethics; fusion; overtones
Hrčak ID: 61982
URI
https://hrcak.srce.hr/61982
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