Patchwork, Vol. No. 4., 2020.

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Religion, Imagination and Revolution in William Blake’s “The Tyger” and Percy Bysshe Shelley’s “Mont Blanc” (str. 1-9)

Neven Brlek
Stručni rad

The Importance of Error Correction in Foreign Language Learning (str. 6-26)

Helena Bakan, Valentina Cepanec, Mirna Dvorski, Josip Janeš, Ivana Milanović, Ana Novosel, Tea Rak, Ivana Verveger
Recenzija, Prikaz slučaja

The Mind Is Its Own Place: Trauma in Warrior and Moby-Dick (str. 27-38)

Barbara Bočkaj
Stručni rad

Writing Features Influencing Non-Native English Speakers’ Publication in International Journals (str. 49-62)

Siyu Cui, Chenglong Zhou
Stručni rad

Talking about Trees: Stances towards Political Poetry in Adrienne Rich’s “What Kind of Times are These” (str. 63-74)

Lisa Di Rosa
Stručni rad

God save thee, Ancient Mariner! Stories of the Book of Genesis and their relation to The Rime of the Ancient Mariner (str. 75-82)

Tomislav Domazetović
Stručni rad

The Depiction of African-American Life during the Harlem Renaissance in Jean Toomer's Cane (str. 83-94)

Martina Jović
Stručni rad

“I Have Become an Enigma to Myself”: A Comparative Analysis of Saint Augustine’s Confessions and Don DeLillo’s Cosmopolis (str. 95-104)

Marta Jurković
Stručni rad

Dracula’s Grandparents: The Antagonist as a Prototype of the Modern Vampire in Samuel Taylor Coleridge’s “Christabel” and John William Polidori’s The Vampyre (str. 106-119)

Bence Gábor Kvéder
Stručni rad

Writing Historical Fiction: Outlander within the Romantic Tradition of Waverley (str. 120-135)

Karla Zorčec
Stručni rad

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