Original scientific paper
THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR
Mirjana Ćorović-Ljubinković
; Beograd
Full text: croatian pdf 2.010 Kb
page 291-296
downloads: 217
cite
APA 6th Edition
Ćorović-Ljubinković, M. (1980). THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR. Prilozi povijesti umjetnosti u Dalmaciji, 21 (1), 291-296. Retrieved from https://hrcak.srce.hr/index.php/160271
MLA 8th Edition
Ćorović-Ljubinković, Mirjana. "THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR." Prilozi povijesti umjetnosti u Dalmaciji, vol. 21, no. 1, 1980, pp. 291-296. https://hrcak.srce.hr/index.php/160271. Accessed 18 May 2024.
Chicago 17th Edition
Ćorović-Ljubinković, Mirjana. "THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR." Prilozi povijesti umjetnosti u Dalmaciji 21, no. 1 (1980): 291-296. https://hrcak.srce.hr/index.php/160271
Harvard
Ćorović-Ljubinković, M. (1980). 'THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR', Prilozi povijesti umjetnosti u Dalmaciji, 21(1), pp. 291-296. Available at: https://hrcak.srce.hr/index.php/160271 (Accessed 18 May 2024)
Vancouver
Ćorović-Ljubinković M. THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR. Prilozi povijesti umjetnosti u Dalmaciji [Internet]. 1980 [cited 2024 May 18];21(1):291-296. Available from: https://hrcak.srce.hr/index.php/160271
IEEE
M. Ćorović-Ljubinković, "THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR", Prilozi povijesti umjetnosti u Dalmaciji, vol.21, no. 1, pp. 291-296, 1980. [Online]. Available: https://hrcak.srce.hr/index.php/160271. [Accessed: 18 May 2024]
Full text: english pdf 2.010 Kb
page 291-296
downloads: 377
cite
APA 6th Edition
Ćorović-Ljubinković, M. (1980). THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR. Prilozi povijesti umjetnosti u Dalmaciji, 21 (1), 291-296. Retrieved from https://hrcak.srce.hr/index.php/160271
MLA 8th Edition
Ćorović-Ljubinković, Mirjana. "THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR." Prilozi povijesti umjetnosti u Dalmaciji, vol. 21, no. 1, 1980, pp. 291-296. https://hrcak.srce.hr/index.php/160271. Accessed 18 May 2024.
Chicago 17th Edition
Ćorović-Ljubinković, Mirjana. "THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR." Prilozi povijesti umjetnosti u Dalmaciji 21, no. 1 (1980): 291-296. https://hrcak.srce.hr/index.php/160271
Harvard
Ćorović-Ljubinković, M. (1980). 'THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR', Prilozi povijesti umjetnosti u Dalmaciji, 21(1), pp. 291-296. Available at: https://hrcak.srce.hr/index.php/160271 (Accessed 18 May 2024)
Vancouver
Ćorović-Ljubinković M. THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR. Prilozi povijesti umjetnosti u Dalmaciji [Internet]. 1980 [cited 2024 May 18];21(1):291-296. Available from: https://hrcak.srce.hr/index.php/160271
IEEE
M. Ćorović-Ljubinković, "THE MEDIAEVAL ICON OF THE ELEUSE MADONNA IN ZADAR", Prilozi povijesti umjetnosti u Dalmaciji, vol.21, no. 1, pp. 291-296, 1980. [Online]. Available: https://hrcak.srce.hr/index.php/160271. [Accessed: 18 May 2024]
Abstract
There was a smail silver framed icon of the Eleuse Madonna in the Orthodox Church of St. Elias in Zadar, of which only a few painted parts are still extant.
The silver framing has a unique ornament, produced by pressure, that is always repeated: it is a motif of interlaced concentric circles with a small stylized folower in the middle. The centre part of the framing consists of a plate cut along the outline of the body of the four separate silver bands, one each side. The whole silver framing is too large an ornament for such a small icon. It had, obviously, been prepared for an icon of a larger size. Similar patterns were to be found in the prominent centres of the Balkan Peninsula.
The ornament as such and the skill of working it into the shape: the two-dimensional tretment with the use of a plastically wrought band for the tracing of motifs – a characteristic Byzantine way in the working out of precious metals and even of stone and wood – belongs to the period of about the middle to the end of the 15th century. The small icon in Zadar, judging from the minimum that has remained of its painted part and taking into consideration the silver outline in the first place, has been created somewhere at the beginning of that period, that is before the mid-15th century.
It is not known either when or how this icon reached the St. Elias church in Zadar; by considering its size, however, it originally had probably been made for private use and was later presented to the church.
Keywords
Hrčak ID:
160271
URI
https://hrcak.srce.hr/160271
Publication date:
23.12.1980.
Article data in other languages:
croatian
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