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Tragom glazbene ostavštine splitskog kapelnika Benedetta Pellizzarija - "Te Deum sollenne"
Ivica Žižić
Sažetak
The composition "Te Deum sollenne" of the bandmaster from Split, Benedetto
Pellizzari, represents a work of unique content. In this composition the author
has brought together different techniques and forms. By style, the composition
breathes with the baroque monumentality and sound, but with the occasional
appearance of elements of a new, "galant" style. In distinction from his
previous works in which Pellizzari firmly fixed the boundaries of solistical
and choir sections, in this composition he sets individuals in a direct dialogue
with the choir, realizing the dynamic effect of the piano (individual) - forte
(choir) contrast.
By the measure of its deepness and strength, Te Deum acts like cantata, even
though the composer didn't imagine it like that, Pellizzari' s Te Deum is
extremely interesting by its historical position - magnificent celebration of
St. Du jam's Day in 1770.
He reveals only a section of the rich Croatian musical history. In it we see
a very high interpreting level of music-making in our Cathedral.
Considering today's demands and modalities of church music, the composition
Te Deum is not suitable for performing during the mass. It belongs to a so-called
spiritual music, "musical heritage of an overall church", "treasure of
the priceless value" (SC 112) that should be performed, preserved and studied.
Ključne riječi
Hrčak ID:
279649
URI
Datum izdavanja:
30.12.1998.
Posjeta: 248 *