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Prethodno priopćenje

https://doi.org/10.29162/ANAFORA.v10i2.8

Authorship in Film – The Example of Werner Herzog

Marijana Erstić orcid id orcid.org/0000-0001-6321-0847 ; Filozofski fakultet, Split, Hrvatska


Puni tekst: njemački pdf 187 Kb

str. 373-390

preuzimanja: 318

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Sažetak

This article deals with Werner Herzogʼs authorship, since his films of the 1970s and 1980s belong to German movies made by auteur directors or to the New German Cinema. The focus is on his feature films and his autobiography. After the introductory considerations on literary and cinematic authorship, Werner Herzog is first introduced as a literary author. This is followed by the history of French and German movies made by auteur directors before a concluding section discusses Herzogʼs cinematic authorship based on his best-known film Fitzcarraldo. The aim of the article is to analyse and contextualise the elements of this authorship, such as work, autobiography, and autoreflection.

Ključne riječi

: authorship in film, Werner Herzog, New German Cinema, Fitzcarraldo, Jeder für sich und Gott gegen alle

Hrčak ID:

311890

URI

https://hrcak.srce.hr/311890

Datum izdavanja:

22.12.2023.

Podaci na drugim jezicima: njemački hrvatski

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