Arti musices, Vol. 40 No. 1-2, 2009.
Izvorni znanstveni članak
Andreis’s Music Historiography on "the Renaissance" and "the Baroque" in Croatian Music
Ennio Stipčević
orcid.org/0000-0002-7632-5245
; Odsjek za povijest hrvatske glazbe HAZU, Zagreb, Hrvatska
Sažetak
In this study, a critical view is presented of Josip Andreis’s way of displaying the Renaissance and the Baroque music in Croatia in his surveys on music history. Andreis did no particular research on the Renaissance and the Baroque in European or in Croatian music. A similar statement might be made about any earlier period of European or Croatian music. The analysis of Andreis’s different editions of the Croatian music history monographs (1962, 1974, 1982) has been made and compared to the related earlier and more recent surveys (Širola, 1942; Županović, 1980). Two works on the Croatian Baroque are presented in detail: the study on Juraj Alberti’s treatise Dialogo per imparar brevità à cantar canto figurato, and the music edition Ivan Lukačić: 16 moteta [Ivan Lukačić: 16 motets]. Andreis’s thorough knowledge of international and domestic specialized literature is emphasized. Thus, due to a lack of high-quality Croatian music-bibliographical reference manuals, Andreis’s surveys still turned out to be the irreplaceable guide books through earlier Croatian music historiography. Andreis did not accent the terms "Renaissance" and "Baroque" as exclusively stylistic qualifiers, and he always tried to incorporate "16th century music" or "17th century music" into the wider social and spiritual movements.
Ključne riječi
Hrčak ID:
47512
URI
Datum izdavanja:
20.11.2009.
Posjeta: 2.330 *