Professional paper
https://doi.org/10.17234/Croatica.67.9
LISTENING TO IMAGES AND WORK OF IMAGINATION IN POEMS OF ANA BRNARDIĆ, KREŠIMIR BAGIĆ AND MARKO POGAČAR
Nataša Govedić
; University of Zagreb Academy of Dramatic Arts, Zagreb, Croatia
Abstract
Fantastical or highly metaphorical style as a mode of writing behaves in a text as a complex deregulation procedure or as an explicit or implicit polemic with narrative conventions. The deregulation happens on many levels: genre, subject, style, sentence. Fantastic may or it may not build political subversion (alternative order might be even more conservative than the actual ones), but it certainly wavers between recognizable and unrecognizable descriptions and expressions. After Kathryn Hume, we define fantastical as "deviation from consensual reality", which can take endless variation of forms, from monsters to metaphors. Because of this, fantastic as "live metaphor" is the crucial part of poetic discourse. It is connected with various aspects of transformative verbal gesture, or with the possibility to see, hear or feel experimental orders of perception. This low of listening to authentic poetic images is here observed in poems of Ana Brnardić, Krešimir Bagić and Marko Pogačar, each of them very unique in working with innovative vis-acoustics.
Keywords
metaphor as sample of the fantastical in poetry; imagination; poetic image; vis-acoustics; pre-language; Ana Brnardić; Krešimir Bagić; Marko Pogačar
Hrčak ID:
315185
URI
Publication date:
14.3.2024.
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