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On the Institutional Theory of Art

Ivan Paraščić


Full text: croatian pdf 505 Kb

page 181-203

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Abstract

The topic of the article is George Dickie’s institutional theory of art as one of contemporary art theories which purport to answer the “what is art?” question by defining the concept of art in terms of its necessary and sufficient conditions. Introductory part of the article brings a brief review of so-called functionalist theories, as well as of their shortcomings when compared to theories to which institutional theory belongs. Also included is a short survey of theories and arguments that significantly influenced institutional theory, e.g. Danto’s “theory of meaning”. Next are presented the basics of the institutional theory. It is shown that advantages of this theory over other functionalist theories became especially visible after the appearance of art practices of the 20th century which rendered the difference between artistic and non-artistic objects extremely complex.

Keywords

Definition of art; Dickie; functional and procedural theories of art; institutional theory of art; philosophy of art

Hrčak ID:

29220

URI

https://hrcak.srce.hr/29220

Publication date:

26.11.2008.

Article data in other languages: croatian

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