Skip to the main content

Original scientific paper

Why is the "Spirit" of Folk Music so Important? On the Historical Background of Béla Bartók’s Views of Folk Music

Mineo Ota orcid id orcid.org/0000-0003-2561-0297 ; University of Tokyo, Department of Aesthetics, Faculty of Letters


Full text: english pdf 86 Kb

page 33-46

downloads: 2.262

cite


Abstract

We use terms like "nationalism" and "modernism", when we try to characterize a certain cultural movement. However, not every cultural movement is as monolithic as these terms may suggest. And it is not free from its historical background. In this essay on Bartók we examine how a single artistic endeavor can become "national" and "new" at one and the same time. The nationalist Bartók and the modernist Bartók may not necessarily be "incompatible", although it is true that the terminology relating to this question is still yet to be refined. In any case, when we think of Bartók’s lifework, we should consider above all the complex nature of this composer’s strategy.

Keywords

Nationalism; Modernism; Folk music; Bartók

Hrčak ID:

32763

URI

https://hrcak.srce.hr/32763

Publication date:

15.6.2006.

Article data in other languages: croatian

Visits: 3.557 *