Stručni rad
https://doi.org/10.17234/ZGB.34.9
Between Fascination and Repulsion. Joseph Roth as a Film Critic
Franco Buono
; Università degli Studi di Bari Aldo Moro
Puni tekst: njemački pdf 147 Kb
str. 129-137
preuzimanja: 65
citiraj
APA 6th Edition
Buono, F. (2025). Between Fascination and Repulsion. Joseph Roth as a Film Critic. Zagreber germanistische Beiträge, 34 (1), 129-137. https://doi.org/10.17234/ZGB.34.9
MLA 8th Edition
Buono, Franco. "Between Fascination and Repulsion. Joseph Roth as a Film Critic." Zagreber germanistische Beiträge, vol. 34, br. 1, 2025, str. 129-137. https://doi.org/10.17234/ZGB.34.9. Citirano 18.05.2026.
Chicago 17th Edition
Buono, Franco. "Between Fascination and Repulsion. Joseph Roth as a Film Critic." Zagreber germanistische Beiträge 34, br. 1 (2025): 129-137. https://doi.org/10.17234/ZGB.34.9
Harvard
Buono, F. (2025). 'Between Fascination and Repulsion. Joseph Roth as a Film Critic', Zagreber germanistische Beiträge, 34(1), str. 129-137. https://doi.org/10.17234/ZGB.34.9
Vancouver
Buono F. Between Fascination and Repulsion. Joseph Roth as a Film Critic. Zagreber germanistische Beiträge [Internet]. 2025 [pristupljeno 18.05.2026.];34(1):129-137. https://doi.org/10.17234/ZGB.34.9
IEEE
F. Buono, "Between Fascination and Repulsion. Joseph Roth as a Film Critic", Zagreber germanistische Beiträge, vol.34, br. 1, str. 129-137, 2025. [Online]. https://doi.org/10.17234/ZGB.34.9
Puni tekst: engleski pdf 147 Kb
str. 129-137
preuzimanja: 46
citiraj
APA 6th Edition
Buono, F. (2025). Between Fascination and Repulsion. Joseph Roth as a Film Critic. Zagreber germanistische Beiträge, 34 (1), 129-137. https://doi.org/10.17234/ZGB.34.9
MLA 8th Edition
Buono, Franco. "Between Fascination and Repulsion. Joseph Roth as a Film Critic." Zagreber germanistische Beiträge, vol. 34, br. 1, 2025, str. 129-137. https://doi.org/10.17234/ZGB.34.9. Citirano 18.05.2026.
Chicago 17th Edition
Buono, Franco. "Between Fascination and Repulsion. Joseph Roth as a Film Critic." Zagreber germanistische Beiträge 34, br. 1 (2025): 129-137. https://doi.org/10.17234/ZGB.34.9
Harvard
Buono, F. (2025). 'Between Fascination and Repulsion. Joseph Roth as a Film Critic', Zagreber germanistische Beiträge, 34(1), str. 129-137. https://doi.org/10.17234/ZGB.34.9
Vancouver
Buono F. Between Fascination and Repulsion. Joseph Roth as a Film Critic. Zagreber germanistische Beiträge [Internet]. 2025 [pristupljeno 18.05.2026.];34(1):129-137. https://doi.org/10.17234/ZGB.34.9
IEEE
F. Buono, "Between Fascination and Repulsion. Joseph Roth as a Film Critic", Zagreber germanistische Beiträge, vol.34, br. 1, str. 129-137, 2025. [Online]. https://doi.org/10.17234/ZGB.34.9
Puni tekst: hrvatski pdf 147 Kb
str. 129-137
preuzimanja: 49
citiraj
APA 6th Edition
Buono, F. (2025). Between Fascination and Repulsion. Joseph Roth as a Film Critic. Zagreber germanistische Beiträge, 34 (1), 129-137. https://doi.org/10.17234/ZGB.34.9
MLA 8th Edition
Buono, Franco. "Between Fascination and Repulsion. Joseph Roth as a Film Critic." Zagreber germanistische Beiträge, vol. 34, br. 1, 2025, str. 129-137. https://doi.org/10.17234/ZGB.34.9. Citirano 18.05.2026.
Chicago 17th Edition
Buono, Franco. "Between Fascination and Repulsion. Joseph Roth as a Film Critic." Zagreber germanistische Beiträge 34, br. 1 (2025): 129-137. https://doi.org/10.17234/ZGB.34.9
Harvard
Buono, F. (2025). 'Between Fascination and Repulsion. Joseph Roth as a Film Critic', Zagreber germanistische Beiträge, 34(1), str. 129-137. https://doi.org/10.17234/ZGB.34.9
Vancouver
Buono F. Between Fascination and Repulsion. Joseph Roth as a Film Critic. Zagreber germanistische Beiträge [Internet]. 2025 [pristupljeno 18.05.2026.];34(1):129-137. https://doi.org/10.17234/ZGB.34.9
IEEE
F. Buono, "Between Fascination and Repulsion. Joseph Roth as a Film Critic", Zagreber germanistische Beiträge, vol.34, br. 1, str. 129-137, 2025. [Online]. https://doi.org/10.17234/ZGB.34.9
Sažetak
For Joseph Roth, film and cinema had a central aesthetic, thematic and existential significance; they influenced his journalistic texts and his poetics. Roth’s position is marked by a fundamental ambivalence between fascination and repulsion: he frequently rejects the illusionistic, technically oriented feature films, prefers documentaries, comedies, and thematic complexity, and evaluates cinema primarily according to poetic and ethical criteria. This perspective leads to original insights, but also to conscious ignorance of the avant-garde’s aesthetic innovation influenced by film, even as his own literary practice develops cinematic structures and modes of perception.
Ključne riječi
Joseph Roth; film criticism; cinema; film in literature
Hrčak ID:
343288
URI
https://hrcak.srce.hr/343288
Datum izdavanja:
20.12.2025.
Podaci na drugim jezicima:
njemački
hrvatski
Posjeta: 424
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