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Original scientific paper

https://doi.org/10.15291/SIC/2.7.LC.3

The Enchanted Hunters in Nabokov’s Lolita

Justine Shu- Ting Kao ; Tamkang University


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Abstract

In Nabokov’s Lolita, Humbert Humbert’s The Enchanted Hunters, as a quest for love, aims to reconstruct a felicitous world or integrate various fragmentary details into an organic unity that revives a lost love, experiencing it on the basis of irony, and revealing a simulation of the desire, violence, and despondency which have been expressed in myths of nymphs and Persephone. The protagonist never reaches this unity, but his narrative of erotic and romantic love reveals him as a pathetic addict engaged in mechanical reproduction related to the phenomena of desire, seduction, violence, and sex. His The Enchanted Hunters does not simulate what he expects of his childhood love with Annabel; rather, it simulates the erotic imagination suggested in Mary D. Sheriff’s term “nymphomania,” in which artists fall degenerately to a model of tragedy.

Keywords

simulation; nymph; nymphomania; The Enchanted Hunters

Hrčak ID:

183094

URI

https://hrcak.srce.hr/183094

Publication date:

15.6.2017.

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