Original scientific paper
FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO
Svanibor Pettan
; Institute of Ethnology and folklore research, Zagreb
Full text: croatian pdf 56 Kb
page 311-324
downloads: 460
cite
APA 6th Edition
Pettan, S. (1996). FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO. Narodna umjetnost, 33 (2), 324-324. Retrieved from https://hrcak.srce.hr/index.php/45099
MLA 8th Edition
Pettan, Svanibor. "FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO." Narodna umjetnost, vol. 33, no. 2, 1996, pp. 324-324. https://hrcak.srce.hr/index.php/45099. Accessed 24 Nov. 2024.
Chicago 17th Edition
Pettan, Svanibor. "FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO." Narodna umjetnost 33, no. 2 (1996): 324-324. https://hrcak.srce.hr/index.php/45099
Harvard
Pettan, S. (1996). 'FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO', Narodna umjetnost, 33(2), pp. 324-324. Available at: https://hrcak.srce.hr/index.php/45099 (Accessed 24 November 2024)
Vancouver
Pettan S. FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO. Narodna umjetnost [Internet]. 1996 [cited 2024 November 24];33(2):324-324. Available from: https://hrcak.srce.hr/index.php/45099
IEEE
S. Pettan, "FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO", Narodna umjetnost, vol.33, no. 2, pp. 324-324, 1996. [Online]. Available: https://hrcak.srce.hr/index.php/45099. [Accessed: 24 November 2024]
Full text: english pdf 579 Kb
page 324-324
downloads: 1.709
cite
APA 6th Edition
Pettan, S. (1996). FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO. Narodna umjetnost, 33 (2), 324-324. Retrieved from https://hrcak.srce.hr/index.php/45099
MLA 8th Edition
Pettan, Svanibor. "FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO." Narodna umjetnost, vol. 33, no. 2, 1996, pp. 324-324. https://hrcak.srce.hr/index.php/45099. Accessed 24 Nov. 2024.
Chicago 17th Edition
Pettan, Svanibor. "FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO." Narodna umjetnost 33, no. 2 (1996): 324-324. https://hrcak.srce.hr/index.php/45099
Harvard
Pettan, S. (1996). 'FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO', Narodna umjetnost, 33(2), pp. 324-324. Available at: https://hrcak.srce.hr/index.php/45099 (Accessed 24 November 2024)
Vancouver
Pettan S. FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO. Narodna umjetnost [Internet]. 1996 [cited 2024 November 24];33(2):324-324. Available from: https://hrcak.srce.hr/index.php/45099
IEEE
S. Pettan, "FEMALE TO MALE - MALE TO FEMALE: THIRD GENDER IN THE MUSICAL LIFE OF THE GYPSIES IN KOSOVO", Narodna umjetnost, vol.33, no. 2, pp. 324-324, 1996. [Online]. Available: https://hrcak.srce.hr/index.php/45099. [Accessed: 24 November 2024]
Abstract
Third gender in this article refers to the alleged homosexual Gypsy musicians, seen as mediators between female and male musical and cultural domains in Kosovo. Due to their alleged homosexuality, these musicians, unlike other men , had access to the female repertoire and manner of performance, out of which they created a new genre known as talava. They transfered the female music sung indoors by women to the frame drum accompaniment to the public scene, where it is performed in a modified form by a male singer to the accompaniment of an amplified ensemble. The talava, performed by men , is most appreciated by women, who see it as the success of "their" music within the public domain.
Keywords
Hrčak ID:
45099
URI
https://hrcak.srce.hr/45099
Publication date:
19.12.1996.
Article data in other languages:
croatian
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