APA 6th Edition Žmegač, A. (2002). Vrhovčev i Haulikov Maksimir. Prostor, 10 (2(24)), 169-176. Preuzeto s https://hrcak.srce.hr/11051
MLA 8th Edition Žmegač, Andrej. "Vrhovčev i Haulikov Maksimir." Prostor, vol. 10, br. 2(24), 2002, str. 169-176. https://hrcak.srce.hr/11051. Citirano 18.09.2019.
Chicago 17th Edition Žmegač, Andrej. "Vrhovčev i Haulikov Maksimir." Prostor 10, br. 2(24) (2002): 169-176. https://hrcak.srce.hr/11051
Harvard Žmegač, A. (2002). 'Vrhovčev i Haulikov Maksimir', Prostor, 10(2(24)), str. 169-176. Preuzeto s: https://hrcak.srce.hr/11051 (Datum pristupa: 18.09.2019.)
Vancouver Žmegač A. Vrhovčev i Haulikov Maksimir. Prostor [Internet]. 2002 [pristupljeno 18.09.2019.];10(2(24)):169-176. Dostupno na: https://hrcak.srce.hr/11051
IEEE A. Žmegač, "Vrhovčev i Haulikov Maksimir", Prostor, vol.10, br. 2(24), str. 169-176, 2002. [Online]. Dostupno na: https://hrcak.srce.hr/11051. [Citirano: 18.09.2019.]
Sažetak This paper presents the concept of the park designed by Vrhovac (1787) and based on data found in the Haulik´s album Park Jurjaves (1853). According to this source material, the park had French Baroque features in plan with a noticeable romantic component evident in the placement of a star-shaped composition on raised and irregularly shaped ground with a centrally placed building. It is considered that a trace of the Vrhovac´s radial composition might have been found in the Haulik´s period as well (maps from 1846 and 1853), particularly in the fan-shaped layout north of the Vidikovac building. The only known and to some extent preserved elements of the Vrhovac´s park are the center of the star-shaped composition, the access alley and the entrance. They are analyzed with regard to subsequent transformation, that is, the roles they were assigned in the Haulik´s concept of the park.