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Original scientific paper

The Great Literary Improvisers

Željka Flegar ; Faculty of Teacher Education, University of Osijek, Osijek, Croatia


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page 187-207

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Abstract

The paper discusses the principles and philosophy behind the art of improvising derived from the theory of improvisational theatre. The aim is to heuristically apply a typology of theatrical improvisation to the literary works of the Golden Age of Children's Literature in order to position the authors and the works of the Golden Age within the body, as well as to locate the Croatian 1913 classic Čudnovate zgode šegrta Hlapića [The Brave Adventures of a Shoemaker's Boy] by Ivana Brlić-Mažuranić within this defining era of children's literature. Due to the fact that improvisation is based on storytelling and that literature is reportedly conceived through images, this research aims to provide evidence that The Brave Adventures of a Shoemaker’s Boy, much like the most prominent works of the Golden Age, is a superb example of the improvisatory process characterized by “bodily poeticizing” as defined by Lockford and Pelias (2004). The result of this creative process is the endurance, universality and adaptability of the works of the Golden Age, such as The Brave Adventures of a Shoemaker’s Boy.

Keywords

archetype; bodily poeticizing; Golden Age of Children’s Literature; improvisational theatre; literary pragmatics; realistic fiction; The Brave Adventures of a Shoemaker’s Boy

Hrčak ID:

119477

URI

https://hrcak.srce.hr/119477

Publication date:

2.4.2014.

Article data in other languages: german croatian

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