Izlaganje sa skupa
Varaždin Baroque Evenings and the music programme of the Zagreb Television in the period from 1975 to 1995
Seadeta Midžić
; Koncertni ured Varaždin, Varaždin, Hrvatska
Sažetak
Except for the event itself and the experience of music that finds its justification in the beauty, its directed highlighting of the selected stylistic and historical basis (the Baroque in Varaždin), and the spontaneous investigative relation to its historical shadow, the act of recording and organizing the television recording is referred to such a completeness of the work, time and action, all of it proof of the tendency for the music and musicality to receive on television what Nietzche believed every abstraction would get in the end – its visibility and embodiment or, as he said almost axiomatically in his “Morgenröte”: “Every spirit in the end becomes bodily visible.” By creating a balance between takeover, i.e. selection and transfer of the event, and the attempt to follow the characteristic validity and insight into the substance of the contents of this event, in confrontation with the new media situation and the expected, possibly foreboding a new media language that is still being looked for, what follows in practice are experiences and orientations, with occasional attaining of European television standards. There is an attempt for a sort of parallel world of culture to be created, and its imaginary independence serves, not only as support for manifestations of culture but it also opens possibilities and creates the need for new initiatives, realizing in this way a reciprocal effect on the world of music.
Ključne riječi
music programme of the Zagreb Television (successor Croatian Television); media; awareness industry; cultural heritage; media review of the music; cultural policy
Hrčak ID:
65563
URI
Datum izdavanja:
2.3.2011.
Posjeta: 1.556 *