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Original scientific paper

CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL

ALLAN BADLEY ; University of Auckland

Fulltext: english, pdf (9 MB) pages 0-0 downloads: 722* cite
APA 6th Edition
BADLEY, A. (2014). CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL. Radovi Zavoda za znanstveni rad Varaždin, (25), 0-0. Retrieved from https://hrcak.srce.hr/131767
MLA 8th Edition
BADLEY, ALLAN. "CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL." Radovi Zavoda za znanstveni rad Varaždin, vol. , no. 25, 2014, pp. 0-0. https://hrcak.srce.hr/131767. Accessed 21 Jan. 2021.
Chicago 17th Edition
BADLEY, ALLAN. "CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL." Radovi Zavoda za znanstveni rad Varaždin , no. 25 (2014): 0-0. https://hrcak.srce.hr/131767
Harvard
BADLEY, A. (2014). 'CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL', Radovi Zavoda za znanstveni rad Varaždin, (25), pp. 0-0. Available at: https://hrcak.srce.hr/131767 (Accessed 21 January 2021)
Vancouver
BADLEY A. CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL. Radovi Zavoda za znanstveni rad Varaždin [Internet]. 2014 [cited 2021 January 21];(25):0-0. Available from: https://hrcak.srce.hr/131767
IEEE
A. BADLEY, "CHRONOLOGICAL SIGNIFIERS IN THE CONCERTOS OF JOHANN BAPTIST WANHAL", Radovi Zavoda za znanstveni rad Varaždin, vol., no. 25, pp. 0-0, 2014. [Online]. Available: https://hrcak.srce.hr/131767. [Accessed: 21 January 2021]

Abstracts
Unlike most of his Viennese contemporaries, Johann Baptist Wanhal published a
large proportion of his musical output including concertos. Nonetheless, many of his
concertos were not published and present a significant challenge in terms of establishing
their probable date of composition and, in some cases, their authenticity.
This paper explores the relationship between Wanhal’s published and unpublished
concertos and proposes that a number of structural and stylistic elements encountered
in the works can be used to refine the chronology of some of the more problematic
works. Among the factors considered are notational conventions, musical organization
at the phrase level, the treatment of the third ritornello section and formal types employed
in finales. The paper concludes that a more exact understanding of the chronology
of Wanhal’s concertos sheds valuable light on his development as a composer as
well as reflecting changing trends in concerto composition during the late eighteenth
and early nineteenth centuries.

Keywords
Wanhal; Erdödy; Hofmann; Varaždin; Vienna; concerto; notation; ritornello function; music publishing

Hrčak ID: 131767

URI
https://hrcak.srce.hr/131767

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