Politička misao, Vol. 59 No. 4, 2022.

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Puni tekst

Editor’s Note (str. 7-9)

Nebojša Blanuša
Uvodnik

On the Nature of the Traumatogenic Event (str. 13-30)

Sean Homer
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The Future of Dystopia (str. 31-48)

Mario Vrbančić
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Call to Remain Responsible as a Sign of Cultural Trauma (str. 49-64)

Tomislav Pletenac
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Representing Trauma in the Arts: the Curious Case of “Quo Vadis, Aida?” (str. 65-87)

Ron Eyerman
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New Memory of the Old Trauma? The Diary of Diana B. and Dara of Jasenovac (str. 88-115)

Ana Kršinić Lozica
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Transgenerational Trauma in Comic Books: The Cases of Heimat and Sunday’s Child (str. 116-145)

Kosta Bovan
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(S)he Walks: Gendered Audiences, Memory and Representation in Post-Yugoslav Space (str. 146-164)

Ana Ljubojević
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Ordinary Affects During the Democratization of Violence in the Context of the Breakup of Yugoslavia (str. 167-191)

Duško Petrović
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Endorsement and Social Role of the Ethos of Conflict in Serbia (str. 192-214)

Jasna Milošević Đorđević, Francesca Di Napoli, Živojin Đurić
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A Protest, Coup d’État, or Internal Party Power Struggle: What Motivated Croatian War Veterans to Hit the Streets? (str. 215-250)

Sven Milekić
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Communicative Dimensions of Centre-Periphery Relationships: Communicating the Post-1989 Traumatic Conjuncture in the Balkans and the Future of Europe (str. 251-275)

Zlatan Krajina
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