Izvorni znanstveni članak
The Popularization of the Ethnological Documentary Film at the Beginning of the 21st Century
Nikša Sviličić
; Institute for Anthropological Research, Zagreb, Croatia
Zlatko Vidačković
; University of Zagreb, Academy of Dramatic Art, Zagreb, Croatia
Sažetak
This paper seeks to explain the reasons for the rising popularity of the ethnological documentary genre in all its forms, emphasizing its correlation with contemporary social events or trends. The paper presents the origins and the de- velopment of the ethnological documentary film in the anthropological domain. Special attention is given to the most in- fluential documentaries of the last decade, dealing with politics: (Fahrenheit 9/1, Bush’s Brain), gun control (Bowling for Columbine), health (Sicko), the economy (Capitalism: A Love Story), ecology An Inconvenient Truth) and food (Super Size Me). The paper further analyzes the popularization of the documentary film in Croatia, the most watched Croatian documentaries in theatres, and the most controversial Croatian documentaries. It determines the structure and methods in the making of a documentary film, presents the basic types of scripts for a documentary film, and points out the differ- ences between scripts for a documentary and a feature film. Finally, the paper questions the possibility of capturing the whole truth and whether some documentaries, such as the Croatian classics: A Little Village Performance and Green Love, are documentaries at all.
Ključne riječi
documentary film; anthropological topics; script; ethnographic film; methods; production; Croatian documentaries
Hrčak ID:
118394
URI
Datum izdavanja:
30.12.2013.
Posjeta: 1.593 *