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Yeats's Marching Songs
APA 6th Edition
Grgas, S. (1998). Yeats's Marching Songs. Studia Romanica et Anglica Zagrabiensia, 43 (-), 173-180. Preuzeto s https://hrcak.srce.hr/120259
MLA 8th Edition
Grgas, Stipe. "Yeats's Marching Songs." Studia Romanica et Anglica Zagrabiensia, vol. 43, br. -, 1998, str. 173-180. https://hrcak.srce.hr/120259. Citirano 28.01.2022.
Chicago 17th Edition
Grgas, Stipe. "Yeats's Marching Songs." Studia Romanica et Anglica Zagrabiensia 43, br. - (1998): 173-180. https://hrcak.srce.hr/120259
Grgas, S. (1998). 'Yeats's Marching Songs', Studia Romanica et Anglica Zagrabiensia, 43(-), str. 173-180. Preuzeto s: https://hrcak.srce.hr/120259 (Datum pristupa: 28.01.2022.)
Grgas S. Yeats's Marching Songs. Studia Romanica et Anglica Zagrabiensia [Internet]. 1998 [pristupljeno 28.01.2022.];43(-):173-180. Dostupno na: https://hrcak.srce.hr/120259
S. Grgas, "Yeats's Marching Songs", Studia Romanica et Anglica Zagrabiensia, vol.43, br. -, str. 173-180, 1998. [Online]. Dostupno na: https://hrcak.srce.hr/120259. [Citirano: 28.01.2022.]
The immediate occasion for the present article is Richard Finneran`s exclusion of "Three Songs to the Same Tune" from Yeats's 1935 collection A Full Moon in March in his edition of The Poems of W.B. Yeats (1983). Assuming that this decision was not dictated only by
aesthetic considerations but by a certain political bias, the author briefly delineates Yeats's authoritarian political stance culminating in his short-lived association with the Fascist-inspired Irish Blueshirt party. His reading of the two versions of the "matching songs" pur-
ports to show that the poet's revision of the earlier song does not amount to a disclaimer of an authoritarian vision of man and society but registers the Yeats's disappointment with political activism as such. In conclusion the author voices his disagreement with Finneran's elimination of the earlier, more politically-charged text and warns that totalitarian practice may lurk in unexpected quarters.
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