Izvorni znanstveni članak
Wind—On a Pictorial Quintessence
; Catholic University Leuven, Belgium
APA 6th Edition
Baert, B. (2013). Wind—On a Pictorial Quintessence. Images, 1 (1), 0-0. Preuzeto s https://hrcak.srce.hr/129416
MLA 8th Edition
Baert, Barbara. "Wind—On a Pictorial Quintessence." Images, vol. 1, br. 1, 2013, str. 0-0. https://hrcak.srce.hr/129416. Citirano 06.12.2022.
Chicago 17th Edition
Baert, Barbara. "Wind—On a Pictorial Quintessence." Images 1, br. 1 (2013): 0-0. https://hrcak.srce.hr/129416
Baert, B. (2013). 'Wind—On a Pictorial Quintessence', Images, 1(1), str. 0-0. Preuzeto s: https://hrcak.srce.hr/129416 (Datum pristupa: 06.12.2022.)
Baert B. Wind—On a Pictorial Quintessence. Images [Internet]. 2013 [pristupljeno 06.12.2022.];1(1). Dostupno na: https://hrcak.srce.hr/129416
B. Baert, "Wind—On a Pictorial Quintessence", Images, vol.1, br. 1, str. 0-0, 2013. [Online]. Dostupno na: https://hrcak.srce.hr/129416. [Citirano: 06.12.2022.]
The wind only allows itself to be seen indirectly: swaying trees, waving grass, fluttering textile. Yet we can feel the wind. And hear it. Wind brings scents. Wind is a cosmic breath. Wind binds and drives apart. Wind nourishes or destroys. For all these reasons and more, wind embodies a hermeneutics of the association between freedom and attachment, between the unexpected and fate. But is there such a thing as an iconography of this caprice? How are we to understand the representation, evocation and suggestion of wind? How does one contain pictorially this natural phenomenon that envelops and penetrates us? And is wind in the visual arts a motif or rather a formal affect?
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