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The discourse of drama between pragmalinguistics and feminist linguistics

Tatjana Pišković orcid.org/0000-0002-7304-2696 ; Filozofski fakultet Sveučilišta u Zagrebu

Sažetak

Speech acts are most easily identified and differentiated in dialogue, therefore play texts seem quite convenient for analysing and investigating the theory of speech acts. Miroslav Krleža’s play In Agony may be approached as corpus for illustrating both the constative and the performative conception of language. The conflict between the characters of the given play indeed arises out of their opposing conceptions of language. The drama therefore takes place on the level of meta-language; the main characters “argue” because they speak different languages. The speech acts in the play (particularly compliments) have been analysed from the perspective of feminist linguistics.

Ključne riječi

speech acts; dialogue; performatives; constatives; feminist linguistics; gender; compliments

Hrčak ID:

22049

URI

https://hrcak.srce.hr/22049

Datum izdavanja:

21.4.2008.

Podaci na drugim jezicima: hrvatski

Posjeta: 4.146 *