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https://doi.org/10.17685/Peristil.63.7

The Bride of Pivljanin Bajo — an Example of Nationally Engaged Painting by Đura Jakšić

Snežana Mišić orcid id orcid.org/0000-0003-1863-555X ; Galerija Matice srpske


Puni tekst: hrvatski pdf 463 Kb

str. 107-119

preuzimanja: 417

citiraj

Puni tekst: engleski pdf 463 Kb

str. 107-119

preuzimanja: 423

citiraj


Sažetak

The paper analyzes painting The Bride of Pivljanin Bajo as an example of the nationally engaged work of Đura Jakšić and verbal-visual permeation. The painting and its function are interpreted in the context of the political reality at the time - the national struggle for liberation from Ottoman rule, pointing to the influences and iconographic templates of contemporary European historical painting, primarily the painting of Eugène Delacroix.

Ključne riječi

Đura Jakšić; nationalism; verbal-visual permeation; epic; allegory; Delacroix

Hrčak ID:

254993

URI

https://hrcak.srce.hr/254993

Datum izdavanja:

31.3.2021.

Podaci na drugim jezicima: hrvatski

Posjeta: 1.876 *