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Bašćinski glasi : Ethnomusicological yearbook of Southern Croatia, Vol. 7 No. 1, 1998.

Professional paper

Novija kretanja dalmatinske urbane pjesme

Josip Mirošević

Full text: croatian pdf 1.719 Kb

page 53-64

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cite

Abstract

The author points out: what has the Split festival of pop music shown to us
in a recent period of time? What are the reasons of its popularity? What
conditioned it to be so widely accepted? Submitting the answers to these
questions we've concluded that the mentioned festival played out an unusual
and large role in the area of southern Croatia, or Dalmatia, therefore a part
of the festival's production is on its best path to melt with the vast folklore
heritage of the already mentioned region. The author stresses how the roots
of the festival songs are frequently forgotten, such as the authors of those
songs, the time and place of their origins. Furthermore, he remarks how all
the accompanying things will be forgotten, and only a piece of the songs will
stay in the people and with the people as witnesses and parts of their own
time.
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Keywords

Hrčak ID:

279645

URI

https://hrcak.srce.hr/279645

Publication date:

30.12.1998.

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