Prethodno priopćenje
Ruben Radica, skladateljska teorija vs skladateljstvo
Zrinka Matić
Sažetak
RUBEN RADICA (1931) completed his studies of conducting (1957, S.
Zlatic) and composition (1958, M. Kelemen) at Zagreb Music Academy
after which he specialized in Siena (V. Frazzi), Paris (R. Leibowitz, T.
Aubin, 0. Messiaen) and Darmstadt (Gy. Ligeti, P. Boulez, H. Pousseur). He
wrote his first works in the early 1950s, when he decided on a modern music
idiom. Radica's idea of music is visible in every composition in a different
way - new techniques of composition are what he searched for throughout
all his life in order to find and resolve the problem of modem music. "Each
author has his own system; a step further would be for each composition to
have its own system," - that is the starting point of Radica's creative work.
The system is directly connected with the extramusical idea which expresses
the need for a balance between the emotional and the rational. It synthesizes
his personal struggle to conquer music and the general idea of humanity
and transcendency.
Ključne riječi
Hrčak ID:
279646
URI
Datum izdavanja:
30.12.1998.
Posjeta: 294 *