Skoči na glavni sadržaj

Izvorni znanstveni članak

https://doi.org/10.21857/moxpjh1x0m

Pierantonio Palmerini’s Altarpiece for the Church of St Saviour in Dubrovnik

Tanja Trška orcid id orcid.org/0000-0002-0831-1730 ; Filozofski fakultet Sveučilišta u Zagrebu, Zagreb, Hrvatska


Puni tekst: engleski pdf 3.732 Kb

str. 7-26

preuzimanja: 222

citiraj


Sažetak

The paper discusses the commission and stages of execution of the high retable of the church of St Saviour in Dubrovnik, of which survives only the altarpiece of the Ascension, commissioned in 1527 from Pierantonio Palmerini from Urbino. Before signing the contract for the St Saviour altarpiece, Pierantonio Palmerini painted its modello, a presentation piece then acquired for the Senate Hall, while the wooden frame for Palmerini’s altarpiece was executed by architect and woodcarver Giovanni (Zanetto) di Francesco del Coro from Ancona, who received final payment after its delivery to Dubrovnik in March 1528. The high altar of the church of St Saviour was finally completed in 1533, when magister Petrus pictor—most likely Pietro di Giovanni, a Venetian painter active in Dubrovnik—decorated the altarpiece frame with azurite and gold.

Ključne riječi

Dubrovnik, church of St Saviour (Sv. Spas), Pierantonio Palmerini, Giovanni del Coro, Pietro di Giovanni

Hrčak ID:

311764

URI

https://hrcak.srce.hr/311764

Datum izdavanja:

20.12.2023.

Posjeta: 611 *