Izvorni znanstveni članak
A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient
Miodrag Vukčević
; Sveučilište u Beogradu
Puni tekst: njemački pdf 964 Kb
str. 55-73
preuzimanja: 48
citiraj
APA 6th Edition
Vukčević, M. (2019). A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae, 1 (1), 55-73. Preuzeto s https://hrcak.srce.hr/308744
MLA 8th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae, vol. 1, br. 1, 2019, str. 55-73. https://hrcak.srce.hr/308744. Citirano 23.05.2024.
Chicago 17th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae 1, br. 1 (2019): 55-73. https://hrcak.srce.hr/308744
Harvard
Vukčević, M. (2019). 'A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient', Germanistica Euromediterrae, 1(1), str. 55-73. Preuzeto s: https://hrcak.srce.hr/308744 (Datum pristupa: 23.05.2024.)
Vancouver
Vukčević M. A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae [Internet]. 2019 [pristupljeno 23.05.2024.];1(1):55-73. Dostupno na: https://hrcak.srce.hr/308744
IEEE
M. Vukčević, "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient", Germanistica Euromediterrae, vol.1, br. 1, str. 55-73, 2019. [Online]. Dostupno na: https://hrcak.srce.hr/308744. [Citirano: 23.05.2024.]
Puni tekst: engleski pdf 964 Kb
str. 55-73
preuzimanja: 21
citiraj
APA 6th Edition
Vukčević, M. (2019). A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae, 1 (1), 55-73. Preuzeto s https://hrcak.srce.hr/308744
MLA 8th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae, vol. 1, br. 1, 2019, str. 55-73. https://hrcak.srce.hr/308744. Citirano 23.05.2024.
Chicago 17th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae 1, br. 1 (2019): 55-73. https://hrcak.srce.hr/308744
Harvard
Vukčević, M. (2019). 'A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient', Germanistica Euromediterrae, 1(1), str. 55-73. Preuzeto s: https://hrcak.srce.hr/308744 (Datum pristupa: 23.05.2024.)
Vancouver
Vukčević M. A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae [Internet]. 2019 [pristupljeno 23.05.2024.];1(1):55-73. Dostupno na: https://hrcak.srce.hr/308744
IEEE
M. Vukčević, "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient", Germanistica Euromediterrae, vol.1, br. 1, str. 55-73, 2019. [Online]. Dostupno na: https://hrcak.srce.hr/308744. [Citirano: 23.05.2024.]
Sažetak
Joseph Baron of Auffenberg transferred his romantically guided interest in history to Adrianople, the Ottoman capital located in a natural
landscape, where the search for indentification met alterity expressed
in a traditionally rich contrast surrounded by twilight. Using the example of Auffenberg’s Drama Skanderbeg (1846), the paper examines
the extent to which literature reflects patterns of identification in accordance with the poetic currents of the classical period and romanticism, which create ideas of the Adriatic Balkan region as a part of a
common cultural ground. The locations of caves, ruins and churches
reflect a fixed order of ethical value structure, ergo the fictionalization
of alterity that shapes identity in historical discourse.
Ključne riječi
Alterity, Drama, Georg Kastrioti, Joseph Baron of Auffenberg, Skanderbeg
Hrčak ID:
308744
URI
https://hrcak.srce.hr/308744
Datum izdavanja:
15.7.2019.
Podaci na drugim jezicima:
njemački
Posjeta: 147
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