Original scientific paper
The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?
Maja Đurinović
Full text: croatian pdf 1.630 Kb
page 299-311
downloads: 83
cite
APA 6th Edition
Đurinović, M. (2025). The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?. Dani Hvarskoga kazališta, 51 (1), 299-311. Retrieved from https://hrcak.srce.hr/330824
MLA 8th Edition
Đurinović, Maja. "The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?." Dani Hvarskoga kazališta, vol. 51, no. 1, 2025, pp. 299-311. https://hrcak.srce.hr/330824. Accessed 3 Jun. 2026.
Chicago 17th Edition
Đurinović, Maja. "The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?." Dani Hvarskoga kazališta 51, no. 1 (2025): 299-311. https://hrcak.srce.hr/330824
Harvard
Đurinović, M. (2025). 'The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?', Dani Hvarskoga kazališta, 51(1), pp. 299-311. Available at: https://hrcak.srce.hr/330824 (Accessed 03 June 2026)
Vancouver
Đurinović M. The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?. Dani Hvarskoga kazališta [Internet]. 2025 [cited 2026 June 03];51(1):299-311. Available from: https://hrcak.srce.hr/330824
IEEE
M. Đurinović, "The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?", Dani Hvarskoga kazališta, vol.51, no. 1, pp. 299-311, 2025. [Online]. Available: https://hrcak.srce.hr/330824. [Accessed: 03 June 2026]
Full text: english pdf 1.630 Kb
page 299-311
downloads: 85
cite
APA 6th Edition
Đurinović, M. (2025). The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?. Dani Hvarskoga kazališta, 51 (1), 299-311. Retrieved from https://hrcak.srce.hr/330824
MLA 8th Edition
Đurinović, Maja. "The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?." Dani Hvarskoga kazališta, vol. 51, no. 1, 2025, pp. 299-311. https://hrcak.srce.hr/330824. Accessed 3 Jun. 2026.
Chicago 17th Edition
Đurinović, Maja. "The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?." Dani Hvarskoga kazališta 51, no. 1 (2025): 299-311. https://hrcak.srce.hr/330824
Harvard
Đurinović, M. (2025). 'The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?', Dani Hvarskoga kazališta, 51(1), pp. 299-311. Available at: https://hrcak.srce.hr/330824 (Accessed 03 June 2026)
Vancouver
Đurinović M. The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?. Dani Hvarskoga kazališta [Internet]. 2025 [cited 2026 June 03];51(1):299-311. Available from: https://hrcak.srce.hr/330824
IEEE
M. Đurinović, "The Shameful Bodies of Dance on the Professional Dance Scene; a New Subversion or a New Ecology of Theatrical Performance?", Dani Hvarskoga kazališta, vol.51, no. 1, pp. 299-311, 2025. [Online]. Available: https://hrcak.srce.hr/330824. [Accessed: 03 June 2026]
Abstract
At the end of the last century, in 1991, the British group CandoCo was founded,
which in an incredibly radical and provocative way expanded the perception of dance art
and opened a dialogue between dance and disability. CandoCo has been a guest in Zagreb
since 1998 at the 15th Dance Week Festival, where it attracted great attention and provoked
contradictory reactions. Inspired by the works and educated in the workshops of this
revolutionary company, Iva Nerina Sibila launched the IMRC / Diverto dance collective
in Zagreb in 2012, which remains unique on the Croatian professional dance scene for its
artistic collaboration of dancers with and without physical disabilities. This paper will look
at the high achievements of the Diverto dance theatre collective, which in ten years of its
existence has produced several brilliant miniatures, as well as full-length performances,
the first of which, Nukleon (2016), occupies a special place.
Keywords
dance and disability; Divert collective; Iva Nerina Sibila; CandoCo
Hrčak ID:
330824
URI
https://hrcak.srce.hr/330824
Publication date:
14.5.2025.
Article data in other languages:
croatian
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