REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ

Consigli, Igino

Vinodolski zbornik : godišnjak za gospodarstvo-turizam, povijesnu i kulturnu baštinu, ekologiju i promicanje ljudskog stvaralaštva, No. 9, 2004.

Other

REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ

Igino Consigli

Full text: croatian pdf 504 Kb

page 155-160

downloads: 139

cite

APA 6th Edition

Consigli, I. (2004). REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ. Vinodolski zbornik, (9). Retrieved from https://hrcak.srce.hr/332380

MLA 8th Edition

Consigli, Igino. "REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ." Vinodolski zbornik, vol. , no. 9, 2004 https://hrcak.srce.hr/332380. Accessed 22 Aug. 2026.

Chicago 17th Edition

Consigli, Igino. "REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ." Vinodolski zbornik , no. 9 https://hrcak.srce.hr/332380

Harvard

Consigli, I. (2004). 'REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ', Vinodolski zbornik, (9). Available at: https://hrcak.srce.hr/332380 (Accessed 22 August 2026)

Vancouver

Consigli I. REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ. Vinodolski zbornik [Internet]. 2004 [cited 2026 August 22];(9). Available from: https://hrcak.srce.hr/332380

IEEE

I. Consigli, "REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ", Vinodolski zbornik, vol., no. 9, 2004. [Online]. Available: https://hrcak.srce.hr/332380. [Accessed: 22 August 2026]

Abstract

The author describes the illumination “Christ’s Crucifixion” by J. J. Klović, possession Luciano Salvi from Parma. He mentiones the iconographical and theological conotations found in works of some artists from the Michelangelo circle from the mid 16. century and enumerates doubts regarding attributions of some studies and works connected to the mentioned illumination. This book includes nine reproductions of works. Unfortunatelly, these reproductions lost much of their attendibility because of the technology of copying used. Translated from Italian by Slavko Matejčić.