REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ

Consigli, Igino

Vinodolski zbornik : godišnjak za gospodarstvo-turizam, povijesnu i kulturnu baštinu, ekologiju i promicanje ljudskog stvaralaštva, No. 9, 2004.

Ostalo

REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ

Igino Consigli

Puni tekst: hrvatski pdf 504 Kb

str. 155-160

preuzimanja: 110

citiraj

APA 6th Edition

Consigli, I. (2004). REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ. Vinodolski zbornik, (9). Preuzeto s https://hrcak.srce.hr/332380

MLA 8th Edition

Consigli, Igino. "REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ." Vinodolski zbornik, vol. , br. 9, 2004 https://hrcak.srce.hr/332380. Citirano 30.05.2026.

Chicago 17th Edition

Consigli, Igino. "REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ." Vinodolski zbornik , br. 9 https://hrcak.srce.hr/332380

Harvard

Consigli, I. (2004). 'REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ', Vinodolski zbornik, (9). Preuzeto s: https://hrcak.srce.hr/332380 (Datum pristupa: 30.05.2026.)

Vancouver

Consigli I. REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ. Vinodolski zbornik [Internet]. 2004 [pristupljeno 30.05.2026.];(9). Dostupno na: https://hrcak.srce.hr/332380

IEEE

I. Consigli, "REPRESENTATION OF THE PICTURE “CHRIST’S CRUCIFIXION” BY JURAJ JULIJE KLOVIĆ", Vinodolski zbornik, vol., br. 9, 2004. [Online]. Dostupno na: https://hrcak.srce.hr/332380. [Citirano: 30.05.2026.]

Sažetak

The author describes the illumination “Christ’s Crucifixion” by J. J. Klović, possession Luciano Salvi from Parma. He mentiones the iconographical and theological conotations found in works of some artists from the Michelangelo circle from the mid 16. century and enumerates doubts regarding attributions of some studies and works connected to the mentioned illumination. This book includes nine reproductions of works. Unfortunatelly, these reproductions lost much of their attendibility because of the technology of copying used. Translated from Italian by Slavko Matejčić.