Dubrovnik annals, No. 29, 2025.
Izvorni znanstveni članak
https://doi.org/10.21857/mjrl3ur079
The Figure of Mary Magdalene in Robert Southwell's Mary Magdalens Funerall Teares and Ragusan Baroque Long Poems
Kristina Grgić
orcid.org/0000-0003-1767-651X
; Sveučilište u Zagrebu, Filozofski fakultet, Zagreb, Hrvatska
Dolores Grmača
orcid.org/0009-0000-0881-3485
; Sveučilište u Zagrebu, Filozofski fakultet, Zagreb, Hrvatska
Sažetak
The paper analyses the image of Mary Magdalene in three representative examples of the Baroque "literature of tears" – two Ragusan long poems by Ivan Bunić Vučić (1592-1658) and Ignjat Đurđević (1675-1737), and an English prose treatise/
meditation by Robert Southwell (1561-1595). Their hitherto unexplored similarities and differences are investigated in the light of their specific religious and culturalhistorical contexts, as well as their position and meaning in the reception history
of the Mary Magdalene figure. In addition to the typical Baroque preoccupation with the relationship between pragmatism and aesthetics, sacred truth and poetic fiction, a comparative analysis of the three texts also aims to highlight their treatment
of the Mary Magdalene figure, taking into account her traditional image of the sensuous penitent, but also the possibility of re-valuating her initial gospel image of a devout disciple and the apostle to the apostles.
Ključne riječi
religious literature; literature of tears; the Baroque; Mary Magdalen; contrition; female apostolate
Hrčak ID:
337532
URI
Datum izdavanja:
1.12.2025.
Posjeta: 0 *