Review article
https://doi.org/https://doi.org/10.47960/3029-3103.2024.10.85
FRANCIS SCOTT FITZGERALD AND ZELDA FITZGERALD – OPPOSING VIEWS ON THE CHARACTER OF THE FLAPPER
Ivana Čuljak
; University of Mostar, Faculty of Humanities and Social Sciences
Abstract
The 1920s marked the emergence of the “flapper” – a symbol of rebellion against
societal norms epitomizing the newfound independence of American women. Francis
Scott Fitzgerald, renowned for chronicling this phenomenon, described flappers in
his works as mischievous rebels who opposed the conservative values of the previous
generation. However, in addition to being charming, witty, and playful, they were
depicted as manipulative materialists who would do anything for wealth and social
status. The depiction of flappers in Scott Fitzgerald’s works differs from that of his
wife Zelda Fitzgerald – a flapper herself. Through the character of Alabama, Zelda
Fitzgerald offers a nuanced account of the flapper’s struggle for autonomy within a
patriarchal society. Alabama’s journey reflects Zelda’s own experiences and challenges
when confronting traditional gender roles imposed by society. This article explores
Francis Scott Fitzgerald’s and Zelda Fitzgerald’s contrasting views on the character
of the flapper, exploring how their respective portrayals reflect broader societal at-
titudes towards women’s roles in the 1920s. An analysis of these works explores the
complexities of gender dynamics during this transformative era and sheds light on the
enduring legacy of the flapper as an icon of female liberation.
Keywords
the flapper; Francis Scott Fitzgerald; Zelda Fitzgerald; opposing views; gen- der.
Hrčak ID:
351381
URI
Publication date:
1.7.2024.
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