Patchwork, Vol. No. 4., 2020.

Table of contents

Full text

Religion, Imagination and Revolution in William Blake’s “The Tyger” and Percy Bysshe Shelley’s “Mont Blanc” (page 1-9)

Neven Brlek
Professional paper

The Importance of Error Correction in Foreign Language Learning (page 6-26)

Helena Bakan, Valentina Cepanec, Mirna Dvorski, Josip Janeš, Ivana Milanović, Ana Novosel, Tea Rak, Ivana Verveger
Case report

The Mind Is Its Own Place: Trauma in Warrior and Moby-Dick (page 27-38)

Barbara Bočkaj
Professional paper

Writing Features Influencing Non-Native English Speakers’ Publication in International Journals (page 49-62)

Siyu Cui, Chenglong Zhou
Professional paper

Talking about Trees: Stances towards Political Poetry in Adrienne Rich’s “What Kind of Times are These” (page 63-74)

Lisa Di Rosa
Professional paper

God save thee, Ancient Mariner! Stories of the Book of Genesis and their relation to The Rime of the Ancient Mariner (page 75-82)

Tomislav Domazetović
Professional paper

The Depiction of African-American Life during the Harlem Renaissance in Jean Toomer's Cane (page 83-94)

Martina Jović
Professional paper

“I Have Become an Enigma to Myself”: A Comparative Analysis of Saint Augustine’s Confessions and Don DeLillo’s Cosmopolis (page 95-104)

Marta Jurković
Professional paper

Dracula’s Grandparents: The Antagonist as a Prototype of the Modern Vampire in Samuel Taylor Coleridge’s “Christabel” and John William Polidori’s The Vampyre (page 106-119)

Bence Gábor Kvéder
Professional paper

Writing Historical Fiction: Outlander within the Romantic Tradition of Waverley (page 120-135)

Karla Zorčec
Professional paper

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