Case report
Puppet and animation in tradition and contemporaneity
Igor Tretinjak
orcid.org/0000-0001-8766-5520
; The Academy of Arts Osijek
Abstract
From this angle, the 47th PIF has offered an eventful puppetry programme that combines tradition and contemporaneity and includes various types of puppets and animation. To use this example, although there are many other ones, I conclude that it seems that the most potent puppetry technique is the tabletop puppet which, filling the space of its loose definition, offers the best communication with the contemporary world and the contemporary audience. Besides the puppets themselves, the best communication and adaptation to the contemporary world can be found in the animation that spreads from the puppet and object to space and sound. That type of animation, free of creative limits, seems to be the best response to the reality that has abandoned every kind of restraint long ago.
Keywords
Hrčak ID:
135358
URI
Publication date:
24.2.2015.
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