Original scientific paper
»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB
Sanja Cvetnić
; Faculty of philosophy in Zagreb, University of Zagreb
Full text: croatian pdf 3.525 Kb
page 269-280
downloads: 278
cite
APA 6th Edition
Cvetnić, S. (1999). »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji, 38 (1), 269-280. Retrieved from https://hrcak.srce.hr/145636
MLA 8th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji, vol. 38, no. 1, 1999, pp. 269-280. https://hrcak.srce.hr/145636. Accessed 24 Apr. 2024.
Chicago 17th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji 38, no. 1 (1999): 269-280. https://hrcak.srce.hr/145636
Harvard
Cvetnić, S. (1999). '»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB', Prilozi povijesti umjetnosti u Dalmaciji, 38(1), pp. 269-280. Available at: https://hrcak.srce.hr/145636 (Accessed 24 April 2024)
Vancouver
Cvetnić S. »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji [Internet]. 1999 [cited 2024 April 24];38(1):269-280. Available from: https://hrcak.srce.hr/145636
IEEE
S. Cvetnić, "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB", Prilozi povijesti umjetnosti u Dalmaciji, vol.38, no. 1, pp. 269-280, 1999. [Online]. Available: https://hrcak.srce.hr/145636. [Accessed: 24 April 2024]
Full text: english pdf 3.525 Kb
page 269-280
downloads: 557
cite
APA 6th Edition
Cvetnić, S. (1999). »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji, 38 (1), 269-280. Retrieved from https://hrcak.srce.hr/145636
MLA 8th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji, vol. 38, no. 1, 1999, pp. 269-280. https://hrcak.srce.hr/145636. Accessed 24 Apr. 2024.
Chicago 17th Edition
Cvetnić, Sanja. "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB." Prilozi povijesti umjetnosti u Dalmaciji 38, no. 1 (1999): 269-280. https://hrcak.srce.hr/145636
Harvard
Cvetnić, S. (1999). '»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB', Prilozi povijesti umjetnosti u Dalmaciji, 38(1), pp. 269-280. Available at: https://hrcak.srce.hr/145636 (Accessed 24 April 2024)
Vancouver
Cvetnić S. »THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB. Prilozi povijesti umjetnosti u Dalmaciji [Internet]. 1999 [cited 2024 April 24];38(1):269-280. Available from: https://hrcak.srce.hr/145636
IEEE
S. Cvetnić, "»THE ASSUMPTION OF THE VIRGIN« – FROM A RUBENS PICTURE IN DÜSSELDORF AND THE PONTIUS ETCHING TO ALTARPIECES IN MOSTE PRI KOMENDI (SLOVENIJA), MAKARSKA AND ZAGREB", Prilozi povijesti umjetnosti u Dalmaciji, vol.38, no. 1, pp. 269-280, 1999. [Online]. Available: https://hrcak.srce.hr/145636. [Accessed: 24 April 2024]
Abstract
This work deals with three altarpieces on the iconographic theme of the »Assumption« – in the parish Church of St Sebastian (Boštjana) in Slovenia, in the old Franciscan church in Makarska of Pieter de Coster, and in the parish Church of St Barbara in Gornje Vrapče (Zagreb). Through a comparison with some prints it has been established that the painters of these works all used the same model. We are here dealing with an etching of Paulus Pontius of 1624, which conveyed the Rubens »Assumption of the Virgin« of 1618, done for the main altar of Notre Dame-de-la-Chapelle in Brussels. In his print, Pontius changed the orientation, added a Christ motif, and changed the upper edge into an arch, which are the differentiating elements for the identification of works that used it as a model.
Keywords
Hrčak ID:
145636
URI
https://hrcak.srce.hr/145636
Publication date:
3.7.2000.
Article data in other languages:
croatian
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