Conference paper
Oblici moderniteta u arhitekturi Bosne i Hercegovine krajem 19. i početkom 20. stoljeća
Ibrahim Krzović
Abstract
Fi>st for»>s of >nodernisn> in th e a r chi tecture of Lil jana Hrisćoi a
Bosnia and Herzegovina appeared ui t h t h e a d vent o f
S ecessio» touavds the end o f t h e 1 9t h c entury, i n t h e
u'orks of Josip Vancaš, an architect (the house of Ješua
and Moica Salo»> in Sarajevo, designed in 1897). From
1900, nch floral forms began to appear on the fmnt s of
representative residential and business buildings (e.g., Ješua
Salom palace by J . V a ncaš, 1901, Vasilikija Pet rović's
house by Rudolf Tonniesaiz, both i n Sarajevo; Serbian
Pri>navy School in Mostar, by Đorde Knežić, 1908).
for>ns, from 1903 a neu> tre~d in facade decoration appeared,
first by geometric figures enriching the lower parts
of the facades, follou >ed by geometric concepts covering
the entire f ront and permeating the ~hole building, thus
fortelling modem architecture (E. Volkert's palace by R.
Tonniesaiz, 1911; the Racher Palace by Karl Kneschaurehalz,
19/3; Fire Station by Josip Pospišil, 1912, all in Sarajevo).
A specific result of Secession in Bosnia and Herzegovina
uas an attempt at creating a Bosnian style (buifdings
of the National Bank offices in Bosnia and Herzegovina
by J. Vancaš, 1908).
Keywords
Hrčak ID:
153328
URI
Publication date:
15.12.1989.
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