Conference paper

SACRAI. PAlhITING Ih/ THE CENTRAL CROATIA AT THE TURNING BETWEEN 19th AND 20>h CENTURY

Marija Mirković ; Republički zavod za zaštitu spomenika kulture, Zagreb

Abstract

De> e/op»ie»t of sacral painting prese»led here u'as i>ifh<
enced by J. J. Strossmayer's and I. Krš»javi's >isual and
esthetic ovientation. Most painters relied on the >ceo-barom<
e t- editio» and hlazare>ie records, at the sa»ie ti>»e reviving
interest in decorative painting inspired by pop»lav»nfional
or>ia>nentation. Young painters opposed the established
sacral painting sche»ies, but their u>orks, specific by style
and i refused by those givi»g ordevs. Comparison u'ith
the contemporary u'orks of the same contents revea/s these
differences in interpretation, ranging f rom n e o-baroqi ć>.ađ>t>o» a»d acade»n through symbolism, chnracterisćic
of th e e i ent s i n ćhe Central Euvopen>i sacral
pa

Keywords

Hrčak ID:

153367

URI

https://hrcak.srce.hr/153367

Publication date:

15.12.1989.

Article data in other languages: croatian

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