Original scientific paper
POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET
Branislav Oblučar
Full text: english pdf 255 Kb
page 209-228
downloads: 125
cite
APA 6th Edition
Oblučar, B. (2018). POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET. Dani Hvarskoga kazališta, 44 (1), 209-228. Retrieved from https://hrcak.srce.hr/200200
MLA 8th Edition
Oblučar, Branislav. "POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET." Dani Hvarskoga kazališta, vol. 44, no. 1, 2018, pp. 209-228. https://hrcak.srce.hr/200200. Accessed 7 May 2024.
Chicago 17th Edition
Oblučar, Branislav. "POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET." Dani Hvarskoga kazališta 44, no. 1 (2018): 209-228. https://hrcak.srce.hr/200200
Harvard
Oblučar, B. (2018). 'POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET', Dani Hvarskoga kazališta, 44(1), pp. 209-228. Available at: https://hrcak.srce.hr/200200 (Accessed 07 May 2024)
Vancouver
Oblučar B. POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET. Dani Hvarskoga kazališta [Internet]. 2018 [cited 2024 May 07];44(1):209-228. Available from: https://hrcak.srce.hr/200200
IEEE
B. Oblučar, "POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET", Dani Hvarskoga kazališta, vol.44, no. 1, pp. 209-228, 2018. [Online]. Available: https://hrcak.srce.hr/200200. [Accessed: 07 May 2024]
Full text: croatian pdf 255 Kb
page 209-228
downloads: 488
cite
APA 6th Edition
Oblučar, B. (2018). POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET. Dani Hvarskoga kazališta, 44 (1), 209-228. Retrieved from https://hrcak.srce.hr/200200
MLA 8th Edition
Oblučar, Branislav. "POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET." Dani Hvarskoga kazališta, vol. 44, no. 1, 2018, pp. 209-228. https://hrcak.srce.hr/200200. Accessed 7 May 2024.
Chicago 17th Edition
Oblučar, Branislav. "POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET." Dani Hvarskoga kazališta 44, no. 1 (2018): 209-228. https://hrcak.srce.hr/200200
Harvard
Oblučar, B. (2018). 'POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET', Dani Hvarskoga kazališta, 44(1), pp. 209-228. Available at: https://hrcak.srce.hr/200200 (Accessed 07 May 2024)
Vancouver
Oblučar B. POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET. Dani Hvarskoga kazališta [Internet]. 2018 [cited 2024 May 07];44(1):209-228. Available from: https://hrcak.srce.hr/200200
IEEE
B. Oblučar, "POPULAR THEATRE IN THE AVAN-GARDE FUTURIST VARIETY THEATRE AND DADAIST CABARET", Dani Hvarskoga kazališta, vol.44, no. 1, pp. 209-228, 2018. [Online]. Available: https://hrcak.srce.hr/200200. [Accessed: 07 May 2024]
Abstract
This essay discusses the ambivalent status of popular culture in the context of historic avant-garde by using the example of popular theatre. Marinetti’s manifesto »Futurist Variety Theatre« and the Dada activities in Cabaret Voltaire, just as the Dadaist performances in Croatia, show that the avant-garde artists used the forms of popular entertainment to incite the participation of the audience, to criticize the bourgeois institution of art and to bring the innovations to the sphere of performance. At the same time, those artists tried to keep for themselves the exclusive status of the »taste professionals« (Walter Adamson), who don’t want to give the audience the privilege to judge the matters of art.
Keywords
avant-garde; popular theatre; variety theatre; audience; cabaret; futurism; dada
Hrčak ID:
200200
URI
https://hrcak.srce.hr/200200
Publication date:
9.5.2018.
Article data in other languages:
croatian
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