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Original scientific paper

https://doi.org/10.17685/Peristil.63.7

The Bride of Pivljanin Bajo — an Example of Nationally Engaged Painting by Đura Jakšić

Snežana Mišić orcid id orcid.org/0000-0003-1863-555X ; Gallery of Matica Srpska


Full text: croatian pdf 463 Kb

page 107-119

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Full text: english pdf 463 Kb

page 107-119

downloads: 295

cite


Abstract

The paper analyzes painting The Bride of Pivljanin Bajo as an example of the nationally engaged work of Đura Jakšić and verbal-visual permeation. The painting and its function are interpreted in the context of the political reality at the time - the national struggle for liberation from Ottoman rule, pointing to the influences and iconographic templates of contemporary European historical painting, primarily the painting of Eugène Delacroix.

Keywords

Đura Jakšić; nationalism; verbal-visual permeation; epic; allegory; Delacroix

Hrčak ID:

254993

URI

https://hrcak.srce.hr/254993

Publication date:

31.3.2021.

Article data in other languages: croatian

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