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Review article

https://doi.org/10.17559/TV-20221014154132

The Role of Light and Shadow in the Perception of Photographs

Veronika Štampfl orcid id orcid.org/0000-0001-5471-9959 ; University of Ljubljana, Faculty of Natural Sciences and Engineering, Department of Textiles, Graphic Arts and Design, Snežniška 5, 1000 Ljubljana, Slovenia
Helena Gabrijelčič Tomc ; University of Ljubljana, Faculty of Natural Sciences and Engineering, Department of Textiles, Graphic Arts and Design, Snežniška 5, 1000 Ljubljana, Slovenia
Jure Ahtik orcid id orcid.org/0000-0002-0212-4897 ; University of Ljubljana, Faculty of Natural Sciences and Engineering, Department of Textiles, Graphic Arts and Design, Snežniška 5, 1000 Ljubljana, Slovenia


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Abstract

The photographer's awareness of the light in the scene is the key to good exposure, whether it is technically correct or an expression of creativity. The article deals with the role of light and its absence, shadow, in the field of photography. Several studies from history and the present are presented, linking the perception of light and its shadows from philosophical, artistic and technological points of view, illustrating the vastness and applicability of this field of research. Summarized studies and an eye tracking analysis of shadow perception support the author's claims about the role of light and shadow in the perception of Henri Cartier-Bresson's photographs. It is shown how shadows can reveal more to the viewer about the space surrounding the observed scene, function as individual objects, or even be used creatively to enhance the detection of focus within a photograph.

Keywords

eyetracking; light; perception; photography; shadow

Hrčak ID:

305501

URI

https://hrcak.srce.hr/305501

Publication date:

28.6.2023.

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