Original scientific paper
A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient
Miodrag Vukčević
; University of Belgrade
Full text: german pdf 964 Kb
page 55-73
downloads: 122
cite
APA 6th Edition
Vukčević, M. (2019). A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae, 1 (1), 55-73. Retrieved from https://hrcak.srce.hr/308744
MLA 8th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae, vol. 1, no. 1, 2019, pp. 55-73. https://hrcak.srce.hr/308744. Accessed 5 Jan. 2025.
Chicago 17th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae 1, no. 1 (2019): 55-73. https://hrcak.srce.hr/308744
Harvard
Vukčević, M. (2019). 'A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient', Germanistica Euromediterrae, 1(1), pp. 55-73. Available at: https://hrcak.srce.hr/308744 (Accessed 05 January 2025)
Vancouver
Vukčević M. A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae [Internet]. 2019 [cited 2025 January 05];1(1):55-73. Available from: https://hrcak.srce.hr/308744
IEEE
M. Vukčević, "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient", Germanistica Euromediterrae, vol.1, no. 1, pp. 55-73, 2019. [Online]. Available: https://hrcak.srce.hr/308744. [Accessed: 05 January 2025]
Full text: english pdf 964 Kb
page 55-73
downloads: 78
cite
APA 6th Edition
Vukčević, M. (2019). A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae, 1 (1), 55-73. Retrieved from https://hrcak.srce.hr/308744
MLA 8th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae, vol. 1, no. 1, 2019, pp. 55-73. https://hrcak.srce.hr/308744. Accessed 5 Jan. 2025.
Chicago 17th Edition
Vukčević, Miodrag. "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient." Germanistica Euromediterrae 1, no. 1 (2019): 55-73. https://hrcak.srce.hr/308744
Harvard
Vukčević, M. (2019). 'A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient', Germanistica Euromediterrae, 1(1), pp. 55-73. Available at: https://hrcak.srce.hr/308744 (Accessed 05 January 2025)
Vancouver
Vukčević M. A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient. Germanistica Euromediterrae [Internet]. 2019 [cited 2025 January 05];1(1):55-73. Available from: https://hrcak.srce.hr/308744
IEEE
M. Vukčević, "A romantic image under classical omen: Caves, ruins, and churches shrouded by swathes in the Mediterranean, Balkans, and the Orient", Germanistica Euromediterrae, vol.1, no. 1, pp. 55-73, 2019. [Online]. Available: https://hrcak.srce.hr/308744. [Accessed: 05 January 2025]
Abstract
Joseph Baron of Auffenberg transferred his romantically guided interest in history to Adrianople, the Ottoman capital located in a natural
landscape, where the search for indentification met alterity expressed
in a traditionally rich contrast surrounded by twilight. Using the example of Auffenberg’s Drama Skanderbeg (1846), the paper examines
the extent to which literature reflects patterns of identification in accordance with the poetic currents of the classical period and romanticism, which create ideas of the Adriatic Balkan region as a part of a
common cultural ground. The locations of caves, ruins and churches
reflect a fixed order of ethical value structure, ergo the fictionalization
of alterity that shapes identity in historical discourse.
Keywords
Alterity, Drama, Georg Kastrioti, Joseph Baron of Auffenberg, Skanderbeg
Hrčak ID:
308744
URI
https://hrcak.srce.hr/308744
Publication date:
15.7.2019.
Article data in other languages:
german
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