Original scientific paper
The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”
Branka Ognjanović
; University of Kragujevac
Full text: german pdf 834 Kb
page 133-149
downloads: 95
cite
APA 6th Edition
Ognjanović, B. (2019). The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”. Germanistica Euromediterrae, 1 (1), 133-149. Retrieved from https://hrcak.srce.hr/308749
MLA 8th Edition
Ognjanović, Branka. "The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”." Germanistica Euromediterrae, vol. 1, no. 1, 2019, pp. 133-149. https://hrcak.srce.hr/308749. Accessed 18 Sep. 2024.
Chicago 17th Edition
Ognjanović, Branka. "The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”." Germanistica Euromediterrae 1, no. 1 (2019): 133-149. https://hrcak.srce.hr/308749
Harvard
Ognjanović, B. (2019). 'The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”', Germanistica Euromediterrae, 1(1), pp. 133-149. Available at: https://hrcak.srce.hr/308749 (Accessed 18 September 2024)
Vancouver
Ognjanović B. The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”. Germanistica Euromediterrae [Internet]. 2019 [cited 2024 September 18];1(1):133-149. Available from: https://hrcak.srce.hr/308749
IEEE
B. Ognjanović, "The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”", Germanistica Euromediterrae, vol.1, no. 1, pp. 133-149, 2019. [Online]. Available: https://hrcak.srce.hr/308749. [Accessed: 18 September 2024]
Full text: english pdf 834 Kb
page 133-149
downloads: 118
cite
APA 6th Edition
Ognjanović, B. (2019). The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”. Germanistica Euromediterrae, 1 (1), 133-149. Retrieved from https://hrcak.srce.hr/308749
MLA 8th Edition
Ognjanović, Branka. "The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”." Germanistica Euromediterrae, vol. 1, no. 1, 2019, pp. 133-149. https://hrcak.srce.hr/308749. Accessed 18 Sep. 2024.
Chicago 17th Edition
Ognjanović, Branka. "The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”." Germanistica Euromediterrae 1, no. 1 (2019): 133-149. https://hrcak.srce.hr/308749
Harvard
Ognjanović, B. (2019). 'The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”', Germanistica Euromediterrae, 1(1), pp. 133-149. Available at: https://hrcak.srce.hr/308749 (Accessed 18 September 2024)
Vancouver
Ognjanović B. The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”. Germanistica Euromediterrae [Internet]. 2019 [cited 2024 September 18];1(1):133-149. Available from: https://hrcak.srce.hr/308749
IEEE
B. Ognjanović, "The Constructions of Alterity in Elias Canetti’s “The Voices of Marrakesh”", Germanistica Euromediterrae, vol.1, no. 1, pp. 133-149, 2019. [Online]. Available: https://hrcak.srce.hr/308749. [Accessed: 18 September 2024]
Abstract
The paper presents an overview of the constructions of alterity in Elias Canetti’s The Voices of Marrakesh: A Record of a Visit. The analysis focuses on the images of the Other by studying Canetti’s literary sketches of the oriental city of Marrakesh. These images include his depictions of the encounters with camels, the marabout and the Jewish family Dahan, but also the impressions of the marketplace, the mellah, and his interaction with the unfamiliar: his search for authenticity, direct contact with the Moroccans and their culture. The purpose of the paper is to examine the perspective, from which the image of the Other emerges as well as the
relationship between Canetti’s own culture(s) and the unfamiliar culture. The analysis is based on the theory of critical imagology.
Keywords
alterity, Elias Canetti, imagology, Marrakesh, Orient, travelogue
Hrčak ID:
308749
URI
https://hrcak.srce.hr/308749
Publication date:
15.7.2019.
Article data in other languages:
german
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