Original scientific paper
Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])
Ivan Majić
; Filozofski fakultet, Zagreb Odsjek za južnoslavenske jezike i književnosti
Full text: croatian pdf 611 Kb
page 147-158
downloads: 1.023
cite
APA 6th Edition
Majić, I. (2009). Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor]). Narodna umjetnost, 46 (2), 159-159. Retrieved from https://hrcak.srce.hr/45654
MLA 8th Edition
Majić, Ivan. "Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])." Narodna umjetnost, vol. 46, no. 2, 2009, pp. 159-159. https://hrcak.srce.hr/45654. Accessed 22 Dec. 2024.
Chicago 17th Edition
Majić, Ivan. "Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])." Narodna umjetnost 46, no. 2 (2009): 159-159. https://hrcak.srce.hr/45654
Harvard
Majić, I. (2009). 'Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])', Narodna umjetnost, 46(2), pp. 159-159. Available at: https://hrcak.srce.hr/45654 (Accessed 22 December 2024)
Vancouver
Majić I. Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor]). Narodna umjetnost [Internet]. 2009 [cited 2024 December 22];46(2):159-159. Available from: https://hrcak.srce.hr/45654
IEEE
I. Majić, "Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])", Narodna umjetnost, vol.46, no. 2, pp. 159-159, 2009. [Online]. Available: https://hrcak.srce.hr/45654. [Accessed: 22 December 2024]
Full text: english pdf 46 Kb
page 159-159
downloads: 439
cite
APA 6th Edition
Majić, I. (2009). Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor]). Narodna umjetnost, 46 (2), 159-159. Retrieved from https://hrcak.srce.hr/45654
MLA 8th Edition
Majić, Ivan. "Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])." Narodna umjetnost, vol. 46, no. 2, 2009, pp. 159-159. https://hrcak.srce.hr/45654. Accessed 22 Dec. 2024.
Chicago 17th Edition
Majić, Ivan. "Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])." Narodna umjetnost 46, no. 2 (2009): 159-159. https://hrcak.srce.hr/45654
Harvard
Majić, I. (2009). 'Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])', Narodna umjetnost, 46(2), pp. 159-159. Available at: https://hrcak.srce.hr/45654 (Accessed 22 December 2024)
Vancouver
Majić I. Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor]). Narodna umjetnost [Internet]. 2009 [cited 2024 December 22];46(2):159-159. Available from: https://hrcak.srce.hr/45654
IEEE
I. Majić, "Big Brother – from Simulation towards the Contemporary Myth (reading / watching Matjaž Zupančič’s play Hodnik [The Corridor])", Narodna umjetnost, vol.46, no. 2, pp. 159-159, 2009. [Online]. Available: https://hrcak.srce.hr/45654. [Accessed: 22 December 2024]
Abstract
The role and significance of the reality show in the context of the current media situation is examined in this article through analysis of the contemporary Slovenian playwright Matjaž Zupančič’s play, Hodnik. This drama is one that enables exemplification of Baudrillard’s theoretical deliberations on simulation as the consequence of media images that offer recipients a full circle stripped of a referential. The seductiveness of play in the reality show spectacle utilises elements of mythological patterns, in which the privileged position is that of the authority having the greatest supervisory power. Simulation of mythological patterns within the show in the form of survival, organisation, and lack of technological devices is actually nostalgia for the reality that has disappeared from digitalised society, while also being a potential for regeneration of new contemporary mythological representations.
Keywords
reality show; simulation; supervision; contemporary media; Baudrillard; contemporary myths
Hrčak ID:
45654
URI
https://hrcak.srce.hr/45654
Publication date:
28.12.2009.
Article data in other languages:
croatian
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