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Original scientific paper

The Case of the Resnik Wedding

Nives Ritig-Beljak ; Institute of Ethnology and Folklore Research


Full text: croatian pdf 14.897 Kb

page 99-116

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Full text: english pdf 754 Kb

page 117-117

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Abstract

The author explores the identity of the Resnik wedding, an innovation that may become a tradition. This refers to a change in the carneval custom of the village of Resnik, near Zagreb, a village whose inhabitants work, for the most part, in the city. In 1963, the inhabitants of Resnik introduced to their carneval procession a reconstruction of sorts of an authentic old-fashioned wedding, that was lost to tradition, instead of the customary mock wedding of the carnival. The work of the director [a local intellectual] is visible in description of the three versions of this innovation [1963, 1975, 1984]. He does not dramatize the text of the wedding as a writer might, but instructs the performers how to improvize on the theme of the given story. This procedure, as well as the stage adaptability of
this innovation, indicates that the Resnik wedding ought to be
treated as folklore theater. The author speaks of the Resnik wedding as an oral literature phenomenon, and of the functions of this performance, with consideration for the participants' attitudes. She then goes on to speak of the influences [conscious and unconscious] that have led to such innovations in the customs.
Although ethnologists are reluctant to study non·standardized phenomena, phenomena that have not yet become traditions, the author considers that the Resnik wedding is interesting for traditionalist ethnologists as well, particularly the route it takes from a carneval improvisation to a contemporary folklore "life-like" comedy.

Keywords

Hrčak ID:

49890

URI

https://hrcak.srce.hr/49890

Publication date:

15.3.1986.

Article data in other languages: croatian

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